Emma Page #18

Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village". The novel was first published in December 1815 while the author was alive, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian–Regency England; she also creates a lively comedy of manners among her characters and depicts issues of marriage, gender, age, and social status.

• Fiction

								


CHAPTER IX

Mr. Knightley might quarrel with her, but Emma could not quarrel with herself. He was so much displeased, that it was longer than usual before he came to Hartfield again; and when they did meet, his grave looks shewed that she was not forgiven. She was sorry, but could not repent. On the contrary, her plans and proceedings were more and more justified and endeared to her by the general appearances of the next few days.

The Picture, elegantly framed, came safely to hand soon after Mr. Elton's return, and being hung over the mantelpiece of the common sitting-room, he got up to look at it, and sighed out his half sentences of admiration just as he ought; and as for Harriet's feelings, they were visibly forming themselves into as strong and steady an attachment as her youth and sort of mind admitted. Emma was soon perfectly satisfied of Mr. Martin's being no otherwise remembered, than as he furnished a contrast with Mr. Elton, of the utmost advantage to the latter.

Her views of improving her little friend's mind, by a great deal of useful reading and conversation, had never yet led to more than a few first chapters, and the intention of going on to-morrow. It was much easier to chat than to study; much pleasanter to let her imagination range and work at Harriet's fortune, than to be labouring to enlarge her comprehension or exercise it on sober facts; and the only literary pursuit which engaged Harriet at present, the only mental provision she was making for the evening of life, was the collecting and transcribing all the riddles of every sort that she could meet with, into a thin quarto of hot-pressed paper, made up by her friend, and ornamented with ciphers and trophies.

In this age of literature, such collections on a very grand scale are not uncommon. Miss Nash, head-teacher at Mrs. Goddard's, had written out at least three hundred; and Harriet, who had taken the first hint of it from her, hoped, with Miss Woodhouse's help, to get a great many more. Emma assisted with her invention, memory and taste; and as Harriet wrote a very pretty hand, it was likely to be an arrangement of the first order, in form as well as quantity.

Mr. Woodhouse was almost as much interested in the business as the girls, and tried very often to recollect something worth their putting in. “So many clever riddles as there used to be when he was young--he wondered he could not remember them! but he hoped he should in time.”
 And it always ended in “Kitty, a fair but frozen maid.”

His good friend Perry, too, whom he had spoken to on the subject, did not at present recollect any thing of the riddle kind; but he had desired Perry to be upon the watch, and as he went about so much, something, he thought, might come from that quarter.

It was by no means his daughter's wish that the intellects of Highbury in general should be put under requisition. Mr. Elton was the only one whose assistance she asked. He was invited to contribute any really good enigmas, charades, or conundrums that he might recollect; and she had the pleasure of seeing him most intently at work with his recollections; and at the same time, as she could perceive, most earnestly careful that nothing ungallant, nothing that did not breathe a compliment to the sex should pass his lips. They owed to him their two or three politest puzzles; and the joy and exultation with which at last he recalled, and rather sentimentally recited, that well-known charade,

    My first doth affliction denote,
      Which my second is destin'd to feel
    And my whole is the best antidote
      That affliction to soften and heal.--

made her quite sorry to acknowledge that they had transcribed it some pages ago already.

“Why will not you write one yourself for us, Mr. Elton?” said she; “that is the only security for its freshness; and nothing could be easier to you.”

“Oh no! he had never written, hardly ever, any thing of the kind in his life. The stupidest fellow! He was afraid not even Miss Woodhouse”--he stopt a moment--“or Miss Smith could inspire him.”

The very next day however produced some proof of inspiration. He called for a few moments, just to leave a piece of paper on the table containing, as he said, a charade, which a friend of his had addressed to a young lady, the object of his admiration, but which, from his manner, Emma was immediately convinced must be his own.

“I do not offer it for Miss Smith's collection,” said he. “Being my friend's, I have no right to expose it in any degree to the public eye, but perhaps you may not dislike looking at it.”

The speech was more to Emma than to Harriet, which Emma could understand. There was deep consciousness about him, and he found it easier to meet her eye than her friend's. He was gone the next moment:--after another moment's pause,

“Take it,” said Emma, smiling, and pushing the paper towards Harriet--“it is for you. Take your own.”

But Harriet was in a tremor, and could not touch it; and Emma, never loth to be first, was obliged to examine it herself.

        To Miss--

          CHARADE.

    My first displays the wealth and pomp of kings,
      Lords of the earth! their luxury and ease.
    Another view of man, my second brings,
      Behold him there, the monarch of the seas!

    But ah! united, what reverse we have!
      Man's boasted power and freedom, all are flown;
    Lord of the earth and sea, he bends a slave,
      And woman, lovely woman, reigns alone.

      Thy ready wit the word will soon supply,
      May its approval beam in that soft eye!

She cast her eye over it, pondered, caught the meaning, read it through again to be quite certain, and quite mistress of the lines, and then passing it to Harriet, sat happily smiling, and saying to herself, while Harriet was puzzling over the paper in all the confusion of hope and dulness, “Very well, Mr. Elton, very well indeed. I have read worse charades. Courtship--a very good hint. I give you credit for it. This is feeling your way. This is saying very plainly--'Pray, Miss Smith, give me leave to pay my addresses to you. Approve my charade and my intentions in the same glance.'
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