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"Doctor Feversham's Story" by Joseph Thomas Sheridan Le Fanu is a compelling tale that blends elements of mystery and the supernatural. The story follows the experiences of Doctor Feversham, a physician whose unusual and tumultuous life is marked by strange occurrences and tragic events. As Feversham confronts his own past and the specter of death, the narrative delves into themes of love, loyalty, and the boundaries of life and death. Le Fanu's signature gothic style imbues the story with an atmospheric tension, making it a captivating exploration of the human psyche and the mysteries that lie beyond the veil of existence.


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once with their uncommon beauty. For the rest, he was a fine well-grown young man, no darker in complexion than an Englishman might well be, and with a careless, happy boyishness of manner, which won immediately on the regard of strangers, and rendered his presence in the house like that of a perpetual sunbeam. We all wondered, after a little while, what we had done before Luis came among us. He was as a son to Sir James; Miss Patricia softened to this new and pleasing interest in her colorless existence as I could not have believed it was in her fossilized nature to do; Miss Henderson became animated, almost young, under the reviving influence of the youth and joyousness of our new inmate; and I own that I speedily attached myself with a warm and affectionate regard to the happy, unselfish nature that seemed to brighten all who came near it. "But the most remarkable effect of the presence of Don Luis de Cabral among us was visible in Miss Collingham. 'Love at first sight,' often considered as a mere phrase, was, in the case of these two young creatures, an unmistakable reality. From the moment of their first meeting, the cousins were mutually drawn toward each other; and seeing the bright and wonderful change wrought by the presence of Don Luis in Blanche Collingham, I could not but remember, with the interest that attaches to a curious psychological phenomenon, the words she uttered in her trance on the eve of his arrival. 'Life, light, and liberty,' indeed, appeared given to all that was best and brightest in her nature. Her health improved visibly, and her beauty, always touching, became radiant in its full development. My duties toward her were now merely nominal; and when, about two months later, Sir James announced to me her approaching marriage, and confessed that it was with this object he had invited Don Luis to come and make the acquaintance of his English relations, the strong opinions I entertained against the marriage of first cousins, and also on the especial inadvisability of any project of marriage in the case of Miss Collingham, could not prevent my hearty rejoicing in the fair prospect of happiness in which two persons who deeply interested me were indulging. "Winter set in early and severely that year among our northern hills, and with a view to Blanche's removal from its withering influence, which I always considered prejudicial to her, the preparations for the marriage were hurried on, and the ceremony was fixed to take place about the middle of December. The travelling-carriage which was to convey the young couple on their way southward was to arrive at the nearest railway-station--then more than thirty miles distant--a week before the marriage; and as some important portions of the trousseau, together with a valuable package of jewels intended by Don Luis as presents for his bride, were expected at the same time, the young man announced his intention of riding across the hills to ----, in order to superintend the conveyance of the carriage and its contents along the rough mountain roads that it must traverse. "We were all sitting around the great fireplace in the winter parlor on the evening before his departure. Miss Collingham had been languid and depressed throughout the day, and often adverted to the long wintry ride he was to undertake in a strain of apprehension at which Don Luis laughed gayly. To divert her mind, he recounted various adventures which had befallen him in foreign lands, with a vigorous simplicity of description which enchained her attention and interested us all. "Suddenly, so sitting, Miss Collingham leaned forward, and in a changed, eager voice exclaimed, 'Luis, take away your hand from your throat!' "We looked. Luis' hands were lying one over the other on his knee in a careless attitude that was habitual to him. "'Take it away, I say! Oh, take it away!' "Miss Collingham started to her feet as she uttered these words almost in a shriek, and then fell back rigid and senseless, her outstretched hand still pointing to her betrothed. "The fit was a severe one, but by morning it had yielded to remedies, and Luis set off early on his ride, to make the most of the short daylight, and intending to return with the carriage on the morrow. All that day Miss Collingham remained in a half-conscious state. It was a dreary day of gloom, with a piercing north wind, and toward evening the snow began to fall in those close, compact flakes which forebode a heavy storm. We were glad to think that Luis must have reached his destination before it began; but when the next morning dawned on a wide expanse of snow, and the air was still thick with fast-falling flakes, it was feared that the state of the roads would preclude all hope of the arrival of the carriage on that day. "My patient took no heed of the untoward state of the weather. She was still in a drowsy condition, very unlike that which usually succeeded her attacks, and Miss Henderson, who had watched by her through the night, told me she spoke more than once in a strange, excited manner, as though carrying on a conversation with some one whom she appeared to see by her bedside. As the good lady, however, could give but a very imperfect and incoherent account of what had passed, I was left in some doubt as to whether Miss Collingham had seen more or Miss Henderson less than there really was to be seen, as I had before had reason to believe that she was not a very vigilant nurse. "So the hours went on, and night closed in. Sir James began to feel some uneasiness at the non-appearance, not only of Don Luis, but also of the priest, who was to have arrived at Collingham-Westmore on that day. "On questioning some of the servants who had been out of the house, the absence of Father O'Connor at least was satisfactorily accounted for: they all declared that it would be quite impossible for those best acquainted with the hills to find their way across them in the blinding drifts which had never ceased throughout the day. We concluded that Father O'Connor and Don Luis were alike storm-stayed, and had no remedy but patience. "Late in the evening--it must have been near midnight--I was in Miss Collingham's dressing-room with Miss Patricia, who intended to watch by her through the night. We were talking by the fire, of the snow-storm which still continued, and of the hindrance it might prove to the marriage--the day fixed for which was now less than a week distant--when we heard a voice in the adjoining room, where we imagined the object of our care to be sleeping. We went in. Miss Collingham was sitting up in bed, her eyes wide open, in one of her rigid fits. She was speaking rapidly in a low tone, unlike her usual voice. "'You cannot get through all that snow,' she said. 'Get help; there are men not far off with spades. Oh, be careful! You are off the road! Stop, stop! that is the way to Armstrong's Clough. Does not the postboy know
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Joseph Thomas Sheridan Le Fanu

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish author known for his contributions to the Gothic fiction genre and his mastery of supernatural tales. His works often explore themes of mystery, madness, and the occult, blending psychological depth with eerie atmospheres. Le Fanu is best remembered for his novels "Carmilla," a seminal vampire story that predates Bram Stoker's "Dracula," and "The House by the Churchyard." His storytelling style, rich in atmosphere and suspense, has influenced many later writers, earning him a significant place in the literary canon of horror and Gothic literature. more…

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