Crime and Punishment Page #25

Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky's full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in world literature.

• Fiction
• Novel

								

also with malice. “Take it if you like, if not I’ll go elsewhere, I am
in a hurry.”

He had not even thought of saying this, but it was suddenly said of
itself. The old woman recovered herself, and her visitor’s resolute tone
evidently restored her confidence.

“But why, my good sir, all of a minute.... What is it?” she asked,
looking at the pledge.

“The silver cigarette case; I spoke of it last time, you know.”

She held out her hand.

“But how pale you are, to be sure... and your hands are trembling too?
Have you been bathing, or what?”

“Fever,” he answered abruptly. “You can’t help getting pale... if you’ve
nothing to eat,” he added, with difficulty articulating the words.

His strength was failing him again. But his answer sounded like the
truth; the old woman took the pledge.

“What is it?” she asked once more, scanning Raskolnikov intently, and
weighing the pledge in her hand.

“A thing... cigarette case.... Silver.... Look at it.”

“It does not seem somehow like silver.... How he has wrapped it up!”

Trying to untie the string and turning to the window, to the light (all
her windows were shut, in spite of the stifling heat), she left
him altogether for some seconds and stood with her back to him. He
unbuttoned his coat and freed the axe from the noose, but did not yet
take it out altogether, simply holding it in his right hand under the
coat. His hands were fearfully weak, he felt them every moment growing
more numb and more wooden. He was afraid he would let the axe slip and
fall.... A sudden giddiness came over him.

“But what has he tied it up like this for?” the old woman cried with
vexation and moved towards him.

He had not a minute more to lose. He pulled the axe quite out, swung
it with both arms, scarcely conscious of himself, and almost without
effort, almost mechanically, brought the blunt side down on her head. He
seemed not to use his own strength in this. But as soon as he had once
brought the axe down, his strength returned to him.

The old woman was as always bareheaded. Her thin, light hair, streaked
with grey, thickly smeared with grease, was plaited in a rat’s tail and
fastened by a broken horn comb which stood out on the nape of her neck.
As she was so short, the blow fell on the very top of her skull. She
cried out, but very faintly, and suddenly sank all of a heap on the
floor, raising her hands to her head. In one hand she still held “the
pledge.” Then he dealt her another and another blow with the blunt side
and on the same spot. The blood gushed as from an overturned glass, the
body fell back. He stepped back, let it fall, and at once bent over her
face; she was dead. Her eyes seemed to be starting out of their sockets,
the brow and the whole face were drawn and contorted convulsively.

He laid the axe on the ground near the dead body and felt at once in her
pocket (trying to avoid the streaming body)--the same right-hand pocket
from which she had taken the key on his last visit. He was in full
possession of his faculties, free from confusion or giddiness, but his
hands were still trembling. He remembered afterwards that he had been
particularly collected and careful, trying all the time not to get
smeared with blood.... He pulled out the keys at once, they were all,
as before, in one bunch on a steel ring. He ran at once into the bedroom
with them. It was a very small room with a whole shrine of holy images.
Against the other wall stood a big bed, very clean and covered with
a silk patchwork wadded quilt. Against a third wall was a chest of
drawers. Strange to say, so soon as he began to fit the keys into the
chest, so soon as he heard their jingling, a convulsive shudder passed
over him. He suddenly felt tempted again to give it all up and go
away. But that was only for an instant; it was too late to go back.
He positively smiled at himself, when suddenly another terrifying idea
occurred to his mind. He suddenly fancied that the old woman might be
still alive and might recover her senses. Leaving the keys in the chest,
he ran back to the body, snatched up the axe and lifted it once more
over the old woman, but did not bring it down. There was no doubt that
she was dead. Bending down and examining her again more closely, he saw
clearly that the skull was broken and even battered in on one side. He
was about to feel it with his finger, but drew back his hand and indeed
it was evident without that. Meanwhile there was a perfect pool of
blood. All at once he noticed a string on her neck; he tugged at it, but
the string was strong and did not snap and besides, it was soaked
with blood. He tried to pull it out from the front of the dress, but
something held it and prevented its coming. In his impatience he raised
the axe again to cut the string from above on the body, but did not
dare, and with difficulty, smearing his hand and the axe in the blood,
after two minutes’ hurried effort, he cut the string and took it off
without touching the body with the axe; he was not mistaken--it was a
purse. On the string were two crosses, one of Cyprus wood and one of
copper, and an image in silver filigree, and with them a small greasy
chamois leather purse with a steel rim and ring. The purse was stuffed
very full; Raskolnikov thrust it in his pocket without looking at it,
flung the crosses on the old woman’s body and rushed back into the
bedroom, this time taking the axe with him.

He was in terrible haste, he snatched the keys, and began trying them
again. But he was unsuccessful. They would not fit in the locks. It
was not so much that his hands were shaking, but that he kept making
mistakes; though he saw for instance that a key was not the right one
and would not fit, still he tried to put it in. Suddenly he remembered
and realised that the big key with the deep notches, which was hanging
there with the small keys could not possibly belong to the chest of
drawers (on his last visit this had struck him), but to some strong box,
and that everything perhaps was hidden in that box. He left the chest
of drawers, and at once felt under the bedstead, knowing that old
women usually keep boxes under their beds. And so it was; there was a
good-sized box under the bed, at least a yard in length, with an arched
lid covered with red leather and studded with steel nails. The notched
key fitted at once and unlocked it. At the top, under a white sheet, was
a coat of red brocade lined with hareskin; under it was a silk dress,
then a shawl and it seemed as though there was nothing below but
clothes. The first thing he did was to wipe his blood-stained hands on
the red brocade. “It’s red, and on red blood will be less noticeable,”
 the thought passed through his mind; then he suddenly came to himself.
“Good God, am I going out of my senses?” he thought with terror.

But no sooner did he touch the clothes than a gold watch slipped from
under the fur coat. He made haste to turn them all over. There turned
out to be various articles made of gold among the clothes--probably
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