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"Captain Ribnikov" is a novel by Russian author Aleksandr Kuprin, published in 1913. The story revolves around the experiences of Captain Ribnikov, a dedicated and principled officer in the Russian Navy, as he confronts moral dilemmas and the harsh realities of life at sea. The narrative explores themes of duty, honor, and the complexities of human relationships, set against the backdrop of naval life. Kuprin's vivid storytelling captures the struggles of individuals grappling with their ideals and the often brutal world around them, making it a poignant reflection on the nature of loyalty and sacrifice.


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Submitted by davidb on February 02, 2025


								
refuse to obey orders. The soldiers are shooting the officers with their own revolvers.’ ‘I heard that the general in command hanged fifty sisters of mercy. Well, of course, they were only dressed as sisters of mercy.’ Schavinsky glanced round at Ribnikov. Now the talkative captain was silent. With his eyes screwed and his chest pressed upon the hilt of his sword, he was intently watching each of the speakers in turn. Under the tight-stretched skin of his cheekbones the sinews strongly played, and his lips moved as if he were repeating every word to himself. ‘My God, whom does he remind me of?’ the journalist thought impatiently for the tenth time. This so tormented him that he tried to make use of an old familiar trick ... to pretend to himself that he had completely forgotten the captain, and then suddenly to give him a quick glance. Usually that trick soon helped him to recall a name or a meeting-place, but now it was quite ineffective. Under his stubborn look, Ribnikov turned round again, gave a deep sigh and shook his head sadly. ‘Awful news! Do you believe it? What? Even if it is true we need not despair. You know what we Russians say: “Whom God defends the pigs can’t eat,”--that’s to say, I mean that the pigs are the Japanese, of course.’ He held out stubbornly against Schavinsky’s steady look, and in his yellow animal eyes the journalist noticed a flame of implacable, inhuman hatred. Piestrukhin, the poet asleep on the sofa, suddenly got up, smacked his lips, and stared at the officer with dazed eyes. ‘Ah!... you’re still here, Jap mug,’ he said drunkenly, hardly moving his mouth. ‘You just get out of it!’ And he collapsed on the sofa again, turning on to his other side. ‘Japanese!’ Schavinsky thought with anxious curiosity, ‘That’s what he’s like,’ and drawled meaningly: ‘You are a jewel, Captain!’ ‘I?’ the latter cried out. His eyes lost their fire, but his lips still twitched nervously. ‘I am Captain Ribnikov!’ He banged himself on the chest again with curious pride. ‘My Russian heart bleeds. Allow me to shake your hand. My head was grazed at Liao-Yang, and I was wounded in the leg at Mukden. You don’t believe it? I’ll show you now.’ He put his foot on a chair and began to pull up his trousers. ‘Don’t!... stop! we believe you,’ Schavinsky said with a frown. Nevertheless, his habitual curiosity enabled him to steal a glance at Ribnikov’s leg and to notice that this infantry captain’s underclothing was of expensive spun silk. A messenger came into the saloon with a letter for Matanya. ‘That’s for you, Vladimir Ivanovich,’ said Matanya, when he had torn the envelope. ‘The race-card from the stable. Put one on Zenith both ways for me. I’ll pay you on Tuesday.’ ‘Come to the races with me, Captain?’ said Schavinsky. ‘Where? To the races? With pleasure.’ Ribnikov got up noisily, upsetting his chair. ‘Where the horses jump? Captain Ribnikov at your service. Into battle, on the march, to the devil’s dam! Ha, ha, ha! That’s me! Eh, what?’ * * * * * When they were sitting in the cab, driving through Cabinetsky Street, Schavinsky slipped his arm through the officer’s, bent right down to his ear, and said, in a voice hardly audible: ‘Don’t be afraid. I shan’t betray you. You’re as much Ribnikov as I am Vanderbilt. You’re an officer on the Japanese Staff. I think you’re a colonel at least, and now you’re a military agent in Russia....’ Either Ribnikov did not hear the words for the noise of the wheels or he did not understand. Swaying gently from side to side, he spoke hoarsely with a fresh drunken enthusiasm: ‘We’re fairly on the spree now! Damn it all, I adore it. I’m not Captain Ribnikov, a Russian soldier, if I don’t love Russian writers! A magnificent lot of fellows! They drink like fishes, and know all about life. “Russia’s joy is in the bottle.” And I’ve been at it from the morning, old man!’ III By business and disposition Schavinsky was a collector of human documents, of rare and strange manifestations of the human spirit. Often for weeks, sometimes for months together, he watched an interesting type, tracking him down with the persistence of a passionate sportsman or an eager detective. It would happen that the prize was found to be, as he called it, ‘a knight of the black star’--a sharper, a notorious plagiarist, a pimp, a souteneur, a literary maniac, the terror of every editor, a plunging cashier or bank messenger, who spends public money in restaurants and gambling hells with the madness of a man rushing down the steep; but no less the objects of his sporting passion were the lions of the season--pianists, singers, littérateurs, gamblers with amazing luck, jockeys, athletes, and cocottes coming into vogue. By hook or crook Schavinsky made their acquaintance and then, enveloping them in his spider’s toils, tenderly and gently secured his victim’s attention. Then he was ready for anything. He would sit for whole sleepless nights with vulgar, stupid people, whose mental equipment, like the Hottentots’, consisted of a dozen or two animal conceptions and clichés; he stood drinks and dinners to damnable fools and scoundrels, waiting patiently for the moment when in their drunkenness they would reveal the full flower of their villainy. He flattered them to the top of their bent, with his eyes open; gave them monstrous doses of flattery, firmly convinced that flattery is the key to open every lock; he lent them money generously, knowing well that he would never receive it back again. In justification of this precarious sport he could say that the inner psychological interest for him considerably surpassed the benefits he subsequently acquired as a realistic writer. It gave him a subtle and obscure delight to penetrate into the mysterious inaccessible chambers of the human soul, to observe the hidden springs of external acts, springs sometimes petty, sometimes shameful, more often ridiculous than affecting--as it were, to hold in his hand for a while, a live, warm human heart and touch its very pulse. Often in this inquisitive pursuit it seemed to him that he was completely losing his own ‘ego,’ so much did he begin to think and feel with another’s soul, even speaking in his language with his peculiar words until at last he even caught himself using another’s gesture and tone. But when he had saturated himself in a man he threw him aside. It is true that sometimes he had to pay long and heavily for a moment’s infatuation. But no one for a long time had so deeply interested him, even to agitation, as this hoarse, tippling infantry captain. For a whole day Schavinsky did not let him go. As he sat by his side in the cab and watched him surreptitiously, Schavinsky resolved: ‘No, I can’t be mistaken;--this yellow, squinting face with the cheekbones, these eternal bobs and bows, and the incessant hand washing; above all this strained, nervous, uneasy familiarity.... But
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Aleksandr Kuprin

Aleksandr Ivanovich Kuprin (1870-1938) was a prominent Russian novelist and short story writer known for his vivid storytelling and exploration of complex human emotions and social issues. Born in a military family, Kuprin's early experiences influenced his literary themes, which often revolve around the struggles of the lower classes and the nuances of love and loss. His most famous works include "The Duel," a poignant examination of honor and morality, and "The Pit," which delves into the lives of those marginalized by society. Kuprin's writing is characterized by lyrical prose and deep psychological insights, earning him recognition as one of the notable figures of Russian literature in the early 20th century. more…

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