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"Boule de Suif," written by Guy de Maupassant, is a poignant and powerful novella set during the Franco-Prussian War. The story follows a group of travelers, including a prostitute named Boule de Suif, who become trapped in a small hotel by Prussian soldiers. As they navigate the complexities of social class and morality, the characters reveal their true natures, with Boule de Suif emerging as a symbol of selflessness and sacrifice. The narrative critiques the hypocrisy of society and explores themes of patriotism, class distinction, and the human condition, making it a profound commentary on the social dynamics of the time.


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Submitted by davidb on February 03, 2025


								
Cornudet raised his voice: “War is a barbarous proceeding when we attack a peaceful neighbor, but it is a sacred duty when undertaken in defence of one's country.” The old woman looked down: “Yes; it's another matter when one acts in self-defence; but would it not be better to kill all the kings, seeing that they make war just to amuse themselves?” Cornudet's eyes kindled. “Bravo, citizens!” he said. Monsieur Carre-Lamadon was reflecting profoundly. Although an ardent admirer of great generals, the peasant woman's sturdy common sense made him reflect on the wealth which might accrue to a country by the employment of so many idle hands now maintained at a great expense, of so much unproductive force, if they were employed in those great industrial enterprises which it will take centuries to complete. But Loiseau, leaving his seat, went over to the innkeeper and began chatting in a low voice. The big man chuckled, coughed, sputtered; his enormous carcass shook with merriment at the pleasantries of the other; and he ended by buying six casks of claret from Loiseau to be delivered in spring, after the departure of the Prussians. The moment supper was over every one went to bed, worn out with fatigue. But Loiseau, who had been making his observations on the sly, sent his wife to bed, and amused himself by placing first his ear, and then his eye, to the bedroom keyhole, in order to discover what he called “the mysteries of the corridor.” At the end of about an hour he heard a rustling, peeped out quickly, and caught sight of Boule de Suif, looking more rotund than ever in a dressing-gown of blue cashmere trimmed with white lace. She held a candle in her hand, and directed her steps to the numbered door at the end of the corridor. But one of the side doors was partly opened, and when, at the end of a few minutes, she returned, Cornudet, in his shirt-sleeves, followed her. They spoke in low tones, then stopped short. Boule de Suif seemed to be stoutly denying him admission to her room. Unfortunately, Loiseau could not at first hear what they said; but toward the end of the conversation they raised their voices, and he caught a few words. Cornudet was loudly insistent. “How silly you are! What does it matter to you?” he said. She seemed indignant, and replied: “No, my good man, there are times when one does not do that sort of thing; besides, in this place it would be shameful.” Apparently he did not understand, and asked the reason. Then she lost her temper and her caution, and, raising her voice still higher, said: “Why? Can't you understand why? When there are Prussians in the house! Perhaps even in the very next room!” He was silent. The patriotic shame of this wanton, who would not suffer herself to be caressed in the neighborhood of the enemy, must have roused his dormant dignity, for after bestowing on her a simple kiss he crept softly back to his room. Loiseau, much edified, capered round the bedroom before taking his place beside his slumbering spouse. Then silence reigned throughout the house. But soon there arose from some remote part—it might easily have been either cellar or attic—a stertorous, monotonous, regular snoring, a dull, prolonged rumbling, varied by tremors like those of a boiler under pressure of steam. Monsieur Follenvie had gone to sleep. As they had decided on starting at eight o'clock the next morning, every one was in the kitchen at that hour; but the coach, its roof covered with snow, stood by itself in the middle of the yard, without either horses or driver. They sought the latter in the stables, coach-houses and barns —but in vain. So the men of the party resolved to scour the country for him, and sallied forth. They found themselves in the square, with the church at the farther side, and to right and left low-roofed houses where there were some Prussian soldiers. The first soldier they saw was peeling potatoes. The second, farther on, was washing out a barber's shop. Another, bearded to the eyes, was fondling a crying infant, and dandling it on his knees to quiet it; and the stout peasant women, whose men-folk were for the most part at the war, were, by means of signs, telling their obedient conquerors what work they were to do: chop wood, prepare soup, grind coffee; one of them even was doing the washing for his hostess, an infirm old grandmother. The count, astonished at what he saw, questioned the beadle who was coming out of the presbytery. The old man answered: “Oh, those men are not at all a bad sort; they are not Prussians, I am told; they come from somewhere farther off, I don't exactly know where. And they have all left wives and children behind them; they are not fond of war either, you may be sure! I am sure they are mourning for the men where they come from, just as we do here; and the war causes them just as much unhappiness as it does us. As a matter of fact, things are not so very bad here just now, because the soldiers do no harm, and work just as if they were in their own homes. You see, sir, poor folk always help one another; it is the great ones of this world who make war.” Cornudet indignant at the friendly understanding established between conquerors and conquered, withdrew, preferring to shut himself up in the inn. “They are repeopling the country,” jested Loiseau. “They are undoing the harm they have done,” said Monsieur Carre-Lamadon gravely. But they could not find the coach driver. At last he was discovered in the village cafe, fraternizing cordially with the officer's orderly. “Were you not told to harness the horses at eight o'clock?” demanded the count. “Oh, yes; but I've had different orders since.” “What orders?” “Not to harness at all.” “Who gave you such orders?” “Why, the Prussian officer.” “But why?” “I don't know. Go and ask him. I am forbidden to harness the horses, so I don't harness them—that's all.” “Did he tell you so himself?” “No, sir; the innkeeper gave me the order from him.” “When?” “Last evening, just as I was going to bed.” The three men returned in a very uneasy frame of mind. They asked for Monsieur Follenvie, but the servant replied that on account of his asthma he never got up before ten o'clock. They were strictly forbidden to rouse him earlier, except in case of fire. They wished to see the officer, but that also was impossible, although he lodged in the inn. Monsieur Follenvie alone was authorized to interview him on civil matters. So they waited. The women returned to their rooms, and occupied themselves with trivial matters. Cornudet settled down beside the tall kitchen fireplace, before a blazing fire. He had a small table and a jug of beer placed beside him, and he smoked his pipe—a pipe which enjoyed among democrats a consideration almost equal to his own, as though it had served its country in serving Cornudet. It was a fine meerschaum, admirably colored to a black the shade of its owner's teeth, but sweet-smelling, gracefully curved, at home in its master's hand, and completing his physiognomy. And Cornudet sat motionless, his eyes fixed now on the dancing flames, now on the froth which crowned his beer; and after each draught he passed his long, thin fingers with an air of satisfaction through his long, greasy hair, as he sucked the foam from his mustache.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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