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"Barker's Luck" is a short story by Bret Harte, set in the American West during the Gold Rush era. The narrative follows the character of Jim Barker, a down-and-out miner who experiences a series of misadventures while trying to strike it rich. With Harte's signature blend of humor and poignant insights into human nature, the story explores themes of luck, perseverance, and the complexities of fortune. As Barker navigates the challenges of life in a boomtown, he ultimately learns important lessons about failure, friendship, and the unpredictable nature of luck.


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Submitted by davidb on February 06, 2025


								
Barker had halted with the chair he was dragging toward her and sat down. "Now," said Miss Kitty, withdrawing her eyes and looking straight before her, "I believe everything you say; perhaps I oughtn't to--or at least SAY it--but I do. There! But because I do believe you--it seems to me all wrong! For the very reasons that you give for not having spoken to me BEFORE, if you really felt as you say you did, are the same reasons why you should not speak to me now. You see, all this time you have let nobody but yourself know how you felt toward me. In everybody's eyes YOU and your partners have been only the three stuck-up, exclusive, college-bred men who mined a poor claim in the Gulch, and occasionally came here to this hotel as customers. In everybody's eyes I have been only the rich hotel-keeper's popular daughter who sometimes waited upon you--but nothing more. But at least we were then pretty much alike, and as good as each other. And now, as soon as you have become suddenly rich, and, of course, the SUPERIOR, you rush down here to ask me to acknowledge it by accepting you!" "You know I never meant that, Miss Kitty," burst out Barker vehemently, but his protest was drowned in a rapid roulade from the young lady's fingers on the keys. He sank back in his chair. "Of course you never MEANT it," she said with an odd laugh; "but everybody will take it in that way, and you cannot go round to everybody in Boomville and make the pretty declaration you have just made to me. Everybody will say I accepted you for your money; everybody will say it was a put-up job of my father's. Everybody will say that you threw yourself away on me. And I don't know but that they would be right. Sit down, please! or I shall play again. "You see," she went on, without looking at him, "just now you like to remember that you fell in love with me first as a pretty waiter girl, but if I became your wife it's just what you would like to FORGET. And I shouldn't, for I should always like to think of the time when you came here, whenever you could afford it and sometimes when you couldn't, just to see me; and how we used to make excuses to speak with each other over the dishes. You don't know what these things mean to a woman who"--she hesitated a moment, and then added abruptly, "but what does that matter? You would not care to be reminded of it. So," she said, rising up with a grave smile and grasping her hands tightly behind her, "it's a good deal better that you should begin to forget it now. Be a good boy and take my advice. Go to San Francisco. You will meet some girl there in a way you will not afterward regret. You are young, and your riches, to say nothing," she added in a faltering voice that was somewhat inconsistent with the mischievous smile that played upon her lips, "of your kind and simple heart, will secure that which the world would call unselfish affection from one more equal to you, but would always believe was only BOUGHT if it came from me." "I suppose you are right," he said simply. She glanced quickly at him, and her eyebrows straightened. He had risen, his face white and his gray eyes widely opened. "I suppose you are right," he went on, "because you are saying to me what my partners said to me this morning, when I offered to share my wealth with them, God knows as honestly as I offered to share my heart with you. I suppose that you are both right; that there must be some curse of pride or selfishness upon the money that I have got; but I have not felt it yet, and the fault does not lie with me." She gave her shoulders a slight shrug, and turned impatiently toward the window. When she turned back again he was gone. The room around her was empty; this room, which a moment before had seemed to be pulsating with his boyish passion, was now empty, and empty of HIM. She bit her lips, rose, and ran eagerly to the window. She saw his straw hat and brown curls as he crossed the road. She drew her handkerchief sharply away from the withered shrub over which she had thrown it, and cast the once treasured remains in the hearth. Then, possibly because she had it ready in her hand, she clapped the handkerchief to her eyes, and sinking sideways upon the chair he had risen from, put her elbows on its back, and buried her face in her hands. It is the characteristic and perhaps cruelty of a simple nature to make no allowance for complex motives, or to even understand them! So it seemed to Barker that his simplicity had been met with equal directness. It was the possession of this wealth that had in some way hopelessly changed his relations with the world. He did not love Kitty any the less; he did not even think she had wronged him; they, his partners and his sweetheart, were cleverer than he; there must be some occult quality in this wealth that he would understand when he possessed it, and perhaps it might even make him ashamed of his generosity; not in the way they had said, but in his tempting them so audaciously to assume a wrong position. It behoved him to take possession of it at once, and to take also upon himself alone the knowledge, the trials, and responsibilities it would incur. His cheeks flushed again as he thought he had tried to tempt an innocent girl with it, and he was keenly hurt that he had not seen in Kitty's eyes the tenderness that had softened his partners' refusal. He resolved to wait no longer, but sell his dreadful stock at once. He walked directly to the bank. The manager, a shrewd but kindly man, to whom Barker was known already, received him graciously in recognition of his well-known simple honesty, and respectfully as a representative of the equally well-known poor but "superior" partnership of the Gulch. He listened with marked attention to Barker's hesitating but brief story, only remarking at its close: "You mean, of course, the 'SECOND Extension' when you say 'First'?" "No," said Barker; "I mean the 'First'--and it said First in the Boomville paper." "Yes, yes!--I saw it--it was a printer's error. The stock of the 'First' was called in two years ago. No! You mean the 'Second,' for, of course, you've followed the quotations, and are likely to know what stock you're holding shares of. When you go back, take a look at them, and you'll see I am right." "But I brought them with me," said Barker, with a slight flushing as he felt in his pocket, "and I am quite sure they are the 'First'." He brought them out and laid them on the desk before the manager. The words "First Extension" were plainly visible. The manager glanced curiously at Barker, and his brow darkened. "Did anybody put this up on you?" he said sternly. "Did your partners send you here with this stuff?" "No! no!" said Barker eagerly. "No one! It's all MY mistake. I see it
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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