Armazindy book cover

Armazindy Page #6

James Whitcomb Riley poems book published in the 1894 book Armazindy and received very negative reviews that referred to poems like "The Little Dog-Woggy" and "Jargon-Jingle" as "drivel" and to Riley as a "worn out genius". Most of his growing number of critics suggested that he ignored the quality of the poems for the sake of making money.


Year:
1894
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Submitted by acronimous on October 28, 2020


								
We decorate to-day: And in the holy silence reigning round, While prayers of perfume bless the atmosphere, Where loyal souls of love and faith are found, Thank God that Peace is here! And let each angry impulse that may start, Be smothered out of every loyal breast; And, rocked within the cradle of the heart, Let every sorrow rest. UP AND DOWN OLD BRANDYWINE Up and down old Brandywine, In the days ’at’s past and gone— With a dad-burn hook-and-line And a saplin’-pole—i swawn! I’ve had more fun, to the square Inch, than ever anywhere! Heaven to come can’t discount mine, Up and down old Brandywine! Hain’t no sense in wishin’—yit Wisht to goodness I could jes “Gee” the blame’ world round and git Back to that old happiness!— Kindo’ drive back in the shade “The old Covered Bridge” there laid ’Crosst the crick, and sorto’ soak My soul over, hub and spoke! Honest, now!—it hain’t no dream ’At I’m wantin’,—but the fac’s As they wuz; the same old stream, And the same old times, i jacks!— Gimme back my bare feet—and Stonebruise too!—And scratched and tanned!— And let hottest dog-days shine Up and down old Brandywine! In and on betwixt the trees ’Long the banks, pour down yer noon, Kindo’ curdled with the breeze And the yallerhammer’s tune; And the smokin’, chokin’ dust O’ the turnpike at its wusst— Saturd’ys, say, when it seems Road’s jes jammed with country teams! Whilse the old town, fur away ’Crosst the hazy pastur’-land, Dozed-like in the heat o’ day Peaceful’ as a hired hand. Jolt the gravel th’ough the floor O’ the ole bridge!—grind and roar With yer blame’ percession-line— Up and down old Brandywine! Souse me and my new straw hat Off the foot-log!—what I care?— Fist shoved in the crown o’ that— Like the old Clown ust to wear.— Wouldn’t swop it fer a’ old Gin-u-wine raal crown o’ gold!— Keep yer King ef you’ll gim me Jes the boy I ust to be! Spill my fishin’-worms! er steal My best “goggle-eye!”—but you Can’t lay hands on joys I feel Nibblin’ like they ust to do! So, in memory, to-day Same old ripple lips away At my “cork” and saggin’ line, Up and down old Brandywine! There the logs is, round the hill, Where “Old Irvin” ust to lift Out sunfish from daylight till Dewfall—’fore he’d leave “The Drift” And give us a chance—and then Kindo’ fish back home again, Ketchin’ ’em jes left and right Where we hadn’t got “a bite”! Er, ’way windin’ out and in,— Old path th’ough the iurnweeds And dog-fennel to yer chin— Then come suddent, th’ough the reeds And cattails, smack into where Them-air woods-hogs ust to scare Us clean ’crosst the County-line, Up and down old Brandywine! But the dim roar o’ the dam It ’ud coax us furder still To’rds the old race, slow and ca’m, Slidin’ on to Huston’s mill— Where, I ’spect, “the Freeport crowd” Never warmed to us er ’lowed We wuz quite so overly Welcome as we aimed to be. Still it ’peared-like ever’thing— Fur away from home as there— Had more relish-like, i jing!— Fish in stream, er bird in air! O them rich old bottom-lands, Past where Cowden’s School-house stands! Wortermelons!—master-mine! Up and down old Brandywine! And sich pop-paws!—Lumps o’ raw Gold and green,—jes oozy th’ough With ripe yallar—like you’ve saw Custard-pie with no crust to: And jes gorges o’ wild plums Till a feller’d suck his thumbs Clean up to his elbows! My!Me some more er lem me die! Up and down old Brandywine!... Stripe me with pokeberry-juice!— Flick me with a pizen-vine And yell “Yip!” and lem me loose! —Old now as I then wuz young, ’F I could sing as I have sung, Song ’ud shorely ring dee-vine Up and down old Brandywine! THREE SINGING FRIENDS I LEE O. HARRIS Schoolmaster and Songmaster! Memory Enshrines thee with an equal love, for thy Duality of gifts,—thy pure and high Endowments—Learning rare, and Poesy. These were as mutual handmaids, serving thee, Throughout all seasons of the years gone by, With all enduring joys ’twixt earth and sky— In turn shared nobly with thy friends and me. Thus is it that thy clear song, ringing on, Is endless inspiration, fresh and free As the old Mays at verge of June sunshine; And musical as then, at dewy dawn, The robin hailed us, and all twinklingly Our one path wandered under wood and vine. II BENJAMIN S. PARKER Thy rapt song makes of Earth a realm of light And shadow mystical as some dreamland Arched with unfathomed azure—vast and grand With splendor of the morn; or dazzling bright With orient noon; or strewn with stars of night Thick as the daisies blown in grasses fanned By odorous midsummer breezes and Showered over by all bird-songs exquisite. This is thy voiced beatific art— To make melodious all things below, Calling through them, from far, diviner space, Thy clearer hail to us.—The faltering heart Thou cheerest; and thy fellow-mortal so Fares onward under Heaven with lifted face. III JAMES NEWTON MATTHEWS Bard of our Western world!—its prairies wide, With edging woods, lost creeks and hidden ways; Its isolated farms, with roundelays Of orchard warblers heard on every side; Its cross-road school-house, wherein still abide Thy fondest memories,—since there thy gaze First fell on classic verse; and thou, in praise Of that, didst find thine own song glorified. So singing, smite the strings and counterchange The lucently melodious drippings of Thy happy harp, from airs of “Tempe Vale,” To chirp and trill of lowliest flight and range, In praise of our To-day and home and love— Thou meadow-lark no less than nightingale. A NOON LULL ’Possum in de ’tater-patch; Chicken-hawk a-hangin’ Stiddy ’bove de stable-lot, An’ cyarpet-loom a-bangin’! Hi! Mr. Hoppergrass, chawin’ yo’ terbacker, Flick ye wid er buggy-whirp yer spit er little blacker! Niggah in de roas’in’-yeers, Whiskers in de shuckin’; Weasel croppin’ mighty shy, But ole hen a-cluckin’! —What’s got de matter er de mule-colt now? Drapt in de turnip-hole, chasin’ f’um de cow! A WINDY DAY The dawn was a dawn of splendor, And the blue of the morning skies Was as placid and deep and tender As the blue of a baby’s eyes; The sunshine flooded the mountain, And flashed over land and sea Like the spray of a glittering fountain.— But the wind—the wind—Ah me! Like a weird invisible spirit, It swooped in its airy flight;
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James Whitcomb Riley

James Whitcomb Riley (1849-1916) was an American poet, born in Greenfield, Indiana. At the age of 16 he left school and joined a group of itinerant sign painters. Subsequently he acted in a patent-medicine show and worked for a newspaper. From 1877 to 1885 he was a regular contributor of verse to the Indianapolis Journal under the pen name of Benj. F. Johnson, of Boone. Some of the poems were collected in The Old Swimmin' Hole and 'Leven More Poems (1883), a volume that achieved great popularity. His best-known poems include Little Orphant Annie, The Raggedy Man, and When the Frost Is on the Punkin. Riley's popularity derived mainly from his quaint use of Hoosier dialect, his cheerful and whimsical sense of humor, and his intimate understanding of life in the rural Midwest. His other works include Rhymes of Childhood (1890) and Poems Here at Home (1893). more…

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