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"Anna's Love Letters" by Lucy Maud Montgomery is a delightful coming-of-age story that follows the life of Anna Shirley, an imaginative and spirited young woman. Set in the picturesque community of Avonlea, the narrative explores Anna's journey through romance, self-discovery, and the challenges of adulthood. As she navigates her relationships and the complexities of love, Anna writes poignant letters that capture her hopes and dreams, revealing her heartfelt yearnings and reflections. This charming tale encapsulates Montgomery's signature themes of love, friendship, and the beauty of nature, offering readers a glimpse into the emotional landscape of a young woman's heart.


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Submitted by davidb on February 10, 2025


								
holding secure Anna's place in Gilbert's affections until Anna herself should come to her senses. When it grew quite dark and Anna had gone lilting down the lane on her way to prayer meeting, Alma lighted her lamp, read Gilbert's letter--and answered it. Her handwriting was much like Anna's. She signed the letter "A. Williams," and there was nothing in it that might not have been written by her to Gilbert; but she knew that Gilbert would believe Anna had written it, and she intended him so to believe. Alma never did a thing halfway when she did it at all. At first she wrote rather constrainedly but, reflecting that in any case Anna would have written a merely friendly letter, she allowed her thoughts to run freely, and the resulting epistle was an excellent one of its kind. Alma had the gift of expression and more brains than Exeter people had ever imagined she possessed. When Gilbert read that letter a fortnight later he was surprised to find that Anna was so clever. He had always, with a secret regret, thought her much inferior to Alma in this respect, but that delightful letter, witty, wise, fanciful, was the letter of a clever woman. When a year had passed Alma was still writing to Gilbert the letters signed "A. Williams." She had ceased to fear being found out, and she took a strange pleasure in the correspondence for its own sake. At first she had been quakingly afraid of discovery. When she smuggled the letters addressed in Gilbert's handwriting to Miss Anna Williams out of the letter packet and hid them from Anna's eyes, she felt as guilty as if she were breaking all the laws of the land at once. To be sure, she knew that she would have to confess to Anna some day, when the latter repented and began to wish she had written to Gilbert, but that was a very different thing from premature disclosure. But Anna had as yet given no sign of such repentance, although Alma looked for it anxiously. Anna was having the time of her life. She was the acknowledged beauty of five settlements, and she went forward on her career of conquest quite undisturbed by the jealousies and heart-burnings she provoked on every side. One moonlight night she went for a sleigh-drive with Charlie Moore of East Exeter--and returned to tell Alma that they were married! "I knew you would make a fuss, Alma, because you don't like Charlie, so we just took matters into our own hands. It was so much more romantic, too. I'd always said I'd never be married in any of your dull, commonplace ways. You might as well forgive me and be nice right off, Alma, because you'd have to do it anyway, in time. Well, you do look surprised!" * * * * * Alma accepted the situation with an apathy that amazed Anna. The truth was that Alma was stunned by a thought that had come to her even while Anna was speaking. "Gilbert will find out about the letters now, and despise me." Nothing else, not even the fact that Anna had married shiftless Charlie Moore, seemed worth while considering beside this. The fear and shame of it haunted her like a nightmare; she shrank every morning from the thought of all the mail that was coming that day, fearing that there would be an angry, puzzled letter from Gilbert. He must certainly soon hear of Anna's marriage; he would see it in the home paper, other correspondents in Exeter would write him of it. Alma grew sick at heart thinking of the complications in front of her. When Gilbert's letter came she left it for a whole day before she could summon courage to open it. But it was a harmless epistle after all; he had not yet heard of Anna's marriage. Alma had at first no thought of answering it, yet her fingers ached to do so. Now that Anna was gone, her loneliness was unbearable. She realized how much Gilbert's letters had meant to her, even when written to another woman. She could bear her life well enough, she thought, if she only had his letters to look forward to. No more letters came from Gilbert for six weeks. Then came one, alarmed at Anna's silence, anxiously asking the reason for it; Gilbert had heard no word of the marriage. He was working in a remote district where newspapers seldom penetrated. He had no other correspondent in Exeter now; except his mother, and she, not knowing that he supposed himself engaged to Anna had forgotten to mention it. Alma answered that letter. She told herself recklessly that she would keep on writing to him until he found out. She would lose his friendship anyhow, when that occurred, but meanwhile she would have the letters a little longer. She could not learn to live without them until she had to. The correspondence slipped back into its old groove. The harassed look which Alma's face had worn, and which Exeter people had attributed to worry over Anna, disappeared. She did not even feel lonely, and reproached herself for lack of proper feeling in missing Anna so little. Besides, to her horror and dismay, she detected in herself a strange undercurrent of relief at the thought that Gilbert could never marry Anna now! She could not understand it. Had not that marriage been her dearest wish for years? Why then should she feel this strange gladness at the impossibility of its fulfilment? Altogether, Alma feared that her condition of mind and morals must be sadly askew. Perhaps, she thought mournfully, this perversion of proper feeling was her punishment for the deception she had practised. She had deliberately done evil that good might come, and now the very imaginations of her heart were stained by that evil. Alma cried herself to sleep many a night in her repentance, but she kept on writing to Gilbert, for all that. The winter passed, and the spring and summer waned, and Alma's outward life flowed as smoothly as the currents of the seasons, broken only by vivid eruptions from Anna, who came over often from East Exeter, glorying in her young matronhood, "to cheer Alma up." Alma, so said Exeter people, was becoming unsociable and old maidish. She lost her liking for company, and seldom went anywhere among her neighbours. Her once frequent visits across the yard to chat with old Mrs. Murray became few and far between. She could not bear to hear the old lady talking about Gilbert, and she was afraid that some day she would be told that he was coming home. Gilbert's home-coming was the nightmare dread that darkened poor Alma's whole horizon. * * * * * One October day, two years after Gilbert's departure, Alma, standing at her window in the reflected glow of a red maple outside, looked down the lane and saw him striding up it! She had had no warning of his coming. His last letter, dated three weeks back, had not hinted at it. Yet there he was--and with him Alma's Nemesis. She was very calm. Now that the worst had come, she felt quite strong to meet it. She would tell Gilbert the truth, and he would go away in anger and never forgive her, but she deserved it. As she went
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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