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"An Adventure of Hardress Fitzgerald, a Royalist Captain" is a historical novel by Joseph Thomas Sheridan Le Fanu, set during the tumultuous times of the English Civil War. The story follows Hardress Fitzgerald, a valiant Royalist captain, as he navigates a world filled with intrigue, loyalty, and betrayal. The novel explores themes of honor and duty while depicting the struggles between royalists and parliamentarians. Le Fanu weaves a tale rich in atmospheric detail and character development, highlighting the personal and political conflicts of an era defined by its fervent loyalty and passionate disputes.


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Submitted by davidb on February 09, 2025


								
was to witness the death-struggle of one or other of us approached. Captain Oliver stood within a yard or two of the place where I sat, or rather lay; and folding his arms, he remained silent for a minute or two, as if arranging in his mind how he should address me. 'Hardress Fitzgerald,' he began at length, 'are you awake? Stand up, if you desire to hear of matters nearly touching your life or death. Get up, I say.' I arose doggedly, and affecting the awkward movements of one whose hands were bound, 'Well,' said I, 'what would you of me? Is it not enough that I am thus imprisoned without a cause, and about, as I suspect, to suffer a most unjust and violent sentence, but must I also be disturbed during the few moments left me for reflection and repentance by the presence of my persecutor? What do you want of me?' 'As to your punishment, sir,' said he, 'your own deserts have no doubt suggested the likelihood of it to your mind; but I now am with you to let you know that whatever mitigation of your sentence you may look for, must be earned by your compliance with my orders. You must frankly and fully explain the contents of the packet which you endeavoured this day to destroy; and further, you must tell all that you know of the designs of the popish rebels.' 'And if I do this I am to expect a mitigation of my punishment--is it not so?' Oliver bowed. 'And what IS this mitigation to be? On the honour of a soldier, what is it to be?' inquired I. 'When you have made the disclosure required,' he replied, 'you shall hear. 'Tis then time to talk of indulgences.' 'Methinks it would then be too late,' answered I. 'But a chance is a chance, and a drowning man will catch at a straw. You are an honourable man, Captain Oliver. I must depend, I suppose, on your good faith. Well, sir, before I make the desired communication I have one question more to put. What is to befall me in case that I, remembering the honour of a soldier and a gentleman, reject your infamous terms, scorn your mitigations, and defy your utmost power?' 'In that case,' replied he, coolly, 'before half an hour you shall be a corpse.' 'Then God have mercy on your soul!' said I; and springing forward, I dashed the weapon which I held at his throat. I missed my aim, but struck him full in the mouth with such force that most of his front teeth were dislodged, and the point of the spear-head passed out under his jaw, at the ear. My onset was so sudden and unexpected that he reeled back to the wall, and did not recover his equilibrium in time to prevent my dealing a second blow, which I did with my whole force. The point unfortunately struck the cuirass, near the neck, and glancing aside it inflicted but a flesh wound, tearing the skin and tendons along the throat. He now grappled with me, strange to say, without uttering any cry of alarm; being a very powerful man, and if anything rather heavier and more strongly built than I, he succeeded in drawing me with him to the ground. We fell together with a heavy crash, tugging and straining in what we were both conscious was a mortal struggle. At length I succeeded in getting over him, and struck him twice more in the face; still he struggled with an energy which nothing but the tremendous stake at issue could have sustained. I succeeded again in inflicting several more wounds upon him, any one of which might have been mortal. While thus contending he clutched his hands about my throat, so firmly that I felt the blood swelling the veins of my temples and face almost to bursting. Again and again I struck the weapon deep into his face and throat, but life seemed to adhere in him with an almost INSECT tenacity. My sight now nearly failed, my senses almost forsook me; I felt upon the point of suffocation when, with one desperate effort, I struck him another and a last blow in the face. The weapon which I wielded had lighted upon the eye, and the point penetrated the brain; the body quivered under me, the deadly grasp relaxed, and Oliver lay upon the ground a corpse! As I arose and shook the weapon and the bloody cloth from my hand, the moon which he had foretold I should never see rise, shone bright and broad into the room, and disclosed, with ghastly distinctness, the mangled features of the dead soldier; the mouth, full of clotting blood and broken teeth, lay open; the eye, close by whose lid the fatal wound had been inflicted, was not, as might have been expected, bathed in blood, but had started forth nearly from the socket, and gave to the face, by its fearful unlikeness to the other glazing orb, a leer more hideous and unearthly than fancy ever saw. The wig, with all its rich curls, had fallen with the hat to the floor, leaving the shorn head exposed, and in many places marked by the recent struggle; the rich lace cravat was drenched in blood, and the gay uniform in many places soiled with the same. It is hard to say, with what feelings I looked upon the unsightly and revolting mass which had so lately been a living and a comely man. I had not any time, however, to spare for reflection; the deed was done--the responsibility was upon me, and all was registered in the book of that God who judges rightly. With eager haste I removed from the body such of the military accoutrements as were necessary for the purpose of my disguise. I buckled on the sword, drew off the military boots, and donned them myself, placed the brigadier wig and cocked hat upon my head, threw on the cloak, drew it up about my face, and proceeded, with the papers which I found as the soldier had foretold me, and the key of the outer lobby, to the door of the guard-room; this I opened, and with a firm and rapid tread walked through the officers, who rose as I entered, and passed without question or interruption to the street-door. Here I was met by the grimlooking corporal, Hewson, who, saluting me, said: 'How soon, captain, shall the file be drawn out and the prisoner despatched?' 'In half an hour,' I replied, without raising my voice. The man again saluted, and in two steps I reached the soldier who held the two horses, as he had intimated. 'Is all right?' said he, eagerly. 'Ay,' said I, 'which horse am I to mount?' He satisfied me upon this point, and I threw myself into the saddle; the soldier mounted his horse, and dashing the spurs into the flanks of the animal which I bestrode, we thundered along the narrow bridge. At the far extremity a sentinel, as we approached, called out, 'Who goes there? stand, and give the word!' Heedless of the interruption, with my heart bounding with excitement, I dashed on, as did also the soldier who accompanied me. 'Stand, or I fire! give the word!' cried the sentry. 'God save the king, and to hell with the prince!' shouted I, flinging the cocked hat in his face as I galloped by. The response was the sharp report of a carbine, accompanied by the whiz of a bullet, which passed directly between me and my comrade, now riding beside me.
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Joseph Thomas Sheridan Le Fanu

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish author known for his contributions to the Gothic fiction genre and his mastery of supernatural tales. His works often explore themes of mystery, madness, and the occult, blending psychological depth with eerie atmospheres. Le Fanu is best remembered for his novels "Carmilla," a seminal vampire story that predates Bram Stoker's "Dracula," and "The House by the Churchyard." His storytelling style, rich in atmosphere and suspense, has influenced many later writers, earning him a significant place in the literary canon of horror and Gothic literature. more…

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