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"An Adventure of Hardress Fitzgerald, a Royalist Captain" is a historical novel by Joseph Thomas Sheridan Le Fanu, set during the tumultuous times of the English Civil War. The story follows Hardress Fitzgerald, a valiant Royalist captain, as he navigates a world filled with intrigue, loyalty, and betrayal. The novel explores themes of honor and duty while depicting the struggles between royalists and parliamentarians. Le Fanu weaves a tale rich in atmospheric detail and character development, highlighting the personal and political conflicts of an era defined by its fervent loyalty and passionate disputes.


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Submitted by davidb on February 09, 2025


								
my efforts so hopelessly clumsy, that I was obliged to give them over in despair. I turned with a sigh from my last hope, and began to pace my narrow prison floor, when my eye suddenly encountered an old rusty nail or holdfast sticking in the wall. All the gold of Plutus would not have been so welcome as that rusty piece of iron. I instantly wrung it from the wall, and inserting the point between the planks of the door into the bolt, and working it backwards and forwards, I had at length the unspeakable satisfaction to perceive that the beam was actually yielding to my efforts, and gradually sliding into its berth in the wall. I have often been engaged in struggles where great bodily strength was required, and every thew and sinew in the system taxed to the uttermost; but, strange as it may appear, I never was so completely exhausted and overcome by any labour as by this comparatively trifling task. Again and again was I obliged to desist, until my cramped finger-joints recovered their power; but at length my perseverance was rewarded, for, little by little, I succeeded in removing the bolt so far as to allow the door to open sufficiently to permit me to pass. With some squeezing I succeeded in forcing my way into a small passage, upon which my prison-door opened. This led into a chamber somewhat more spacious than my cell, but still containing no furniture, and affording no means of escape to one so crippled with bonds as I was. At the far extremity of this room was a door which stood ajar, and, stealthily passing through it, I found myself in a room containing nothing but a few raw hides, which rendered the atmosphere nearly intolerable. Here I checked myself, for I heard voices in busy conversation in the next room. I stole softly to the door which separated the chamber in which I stood from that from which the voices proceeded. A moment served to convince me that any attempt upon it would be worse than fruitless, for it was secured upon the outside by a strong lock, besides two bars, all which I was enabled to ascertain by means of the same defect in the joining of the planks which I have mentioned as belonging to the inner door. I had approached this door very softly, so that, my proximity being wholly unsuspected by the speakers within, the conversation continued without interruption. Planting myself close to the door, I applied my eye to one of the chinks which separated the boards, and thus obtained a full view of the chamber and its occupants. It was the very apartment into which I had been first conducted. The outer door, which faced the one at which I stood, was closed, and at a small table were seated the only tenants of the room--two officers, one of whom was Captain Oliver. The latter was reading a paper, which I made no doubt was the document with which I had been entrusted. 'The fellow deserves it, no doubt' said the junior officer. 'But, methinks, considering our orders from head-quarters, you deal somewhat too hastily.' 'Nephew, nephew,' said Captain Oliver, 'you mistake the tenor of our orders. We were directed to conciliate the peasantry by fair and gentle treatment, but not to suffer spies and traitors to escape. This packet is of some value, though not, in all its parts, intelligible to me. The bearer has made his way hither under a disguise, which, along with the other circumstances of his appearance here, is sufficient to convict him as a spy.' There was a pause here, and after a few minutes the younger officer said: 'Spy is a hard term, no doubt, uncle; but it is possible--nay, likely, that this poor devil sought merely to carry the parcel with which he was charged in safety to its destination. Pshaw! he is sufficiently punished if you duck him, for ten minutes or so, between the bridge and the mill-dam.' 'Young man,' said Oliver, somewhat sternly, 'do not obtrude your advice where it is not called for; this man, for whom you plead, murdered your own father!' I could not see how this announcement affected the person to whom it was addressed, for his back was towards me; but I conjectured, easily, that my last poor chance was gone, for a long silence ensued. Captain Oliver at length resumed: 'I know the villain well. I know him capable of any crime; but, by ----, his last card is played, and the game is up. He shall not see the moon rise to-night.' There was here another pause. Oliver rose, and going to the outer door, called: 'Hewson! Hewson!' A grim-looking corporal entered. 'Hewson, have your guard ready at eight o'clock, with their carbines clean, and a round of ball-cartridge each. Keep them sober; and, further, plant two upright posts at the near end of the bridge, with a cross one at top, in the manner of a gibbet. See to these matters, Hewson: I shall be with you speedily.' The corporal made his salutations, and retired. Oliver deliberately folded up the papers with which I had been commissioned, and placing them in the pocket of his vest, he said: 'Cunning, cunning Master Hardress Fitzgerald hath made a false step; the old fox is in the toils. Hardress Fitzgerald, Hardress Fitzgerald, I will blot you out.' He repeated these words several times, at the same time rubbing his finger strongly upon the table, as if he sought to erase a stain: 'I WILL BLOT YOU OUT!' There was a kind of glee in his manner and expression which chilled my very heart. 'You shall be first shot like a dog, and then hanged like a dog: shot to-night, and hung to-morrow; hung at the bridgehead--hung, until your bones drop asunder!' It is impossible to describe the exultation with which he seemed to dwell upon, and to particularise the fate which he intended for me. I observed, however, that his face was deadly pale, and felt assured that his conscience and inward convictions were struggling against his cruel resolve. Without further comment the two officers left the room, I suppose to oversee the preparations which were being made for the deed of which I was to be the victim. A chill, sick horror crept over me as they retired, and I felt, for the moment, upon the brink of swooning. This feeling, however, speedily gave place to a sensation still more terrible. A state of excitement so intense and tremendous as to border upon literal madness, supervened; my brain reeled and throbbed as if it would burst; thoughts the wildest and the most hideous flashed through my mind with a spontaneous rapidity that scared my very soul; while, all the time, I felt a strange and frightful impulse to burst into uncontrolled laughter. Gradually this fearful paroxysm passed away. I kneeled and prayed fervently, and felt comforted and assured; but still I could not view the slow approaches of certain death without an agitation little short of agony. I have stood in battle many a time when the chances of escape were fearfully small. I have confronted foemen in the deadly breach. I have marched, with a constant heart, against the cannon's mouth. Again and
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Joseph Thomas Sheridan Le Fanu

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish author known for his contributions to the Gothic fiction genre and his mastery of supernatural tales. His works often explore themes of mystery, madness, and the occult, blending psychological depth with eerie atmospheres. Le Fanu is best remembered for his novels "Carmilla," a seminal vampire story that predates Bram Stoker's "Dracula," and "The House by the Churchyard." His storytelling style, rich in atmosphere and suspense, has influenced many later writers, earning him a significant place in the literary canon of horror and Gothic literature. more…

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