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"Agafya" is a poignant short story by Anton Pavlovich Chekhov that delves into themes of love, sacrifice, and the complexities of human relationships. The narrative centers around Agafya, a young woman who faces the challenges of her unremarkable life and the emotional turmoil of unrequited love. Through Chekhov's nuanced portrayal of his characters, the story captures the subtleties of their aspirations and disappointments, ultimately reflecting on the nature of happiness and the quiet struggles of the heart. As with much of Chekhov's work, "Agafya" combines realism with deep psychological insight, inviting readers to contemplate the intricacies of everyday existence.

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Submitted by davidb on January 27, 2025


								
are sly as cats, these women, and timid as hares.... She didn't go, silly thing, in the evening when we told her to! Now she will catch it, and they'll flog me again at the peasant court... all on account of the women...." Agafya stepped upon the bank and went across the fields to the village. At first she walked fairly boldly, but soon terror and excitement got the upper hand; she turned round fearfully, stopped and took breath. "Yes, you are frightened!" Savka laughed mournfully, looking at the bright green streak left by Agafya in the dewy grass. "She doesn't want to go! Her husband's been standing waiting for her for a good hour.... Did you see him?" Savka said the last words with a smile, but they sent a chill to my heart. In the village, near the furthest hut, Yakov was standing in the road, gazing fixedly at his returning wife. He stood without stirring, and was as motionless as a post. What was he thinking as he looked at her? What words was he preparing to greet her with? Agafya stood still a little while, looked round once more as though expecting help from us, and went on. I have never seen anyone, drunk or sober, move as she did. Agafya seemed to be shrivelled up by her husband's eyes. At one time she moved in zigzags, then she moved her feet up and down without going forward, bending her knees and stretching out her hands, then she staggered back. When she had gone another hundred paces she looked round once more and sat down. "You ought at least to hide behind a bush..." I said to Savka. "If the husband sees you..." "He knows, anyway, who it is Agafya has come from.... The women don't go to the kitchen garden at night for cabbages--we all know that." I glanced at Savka's face. It was pale and puckered up with a look of fastidious pity such as one sees in the faces of people watching tortured animals. "What's fun for the cat is tears for the mouse..." he muttered. Agafya suddenly jumped up, shook her head, and with a bold step went towards her husband. She had evidently plucked up her courage and made up her mind.
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Anton Pavlovich Chekhov

Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer, widely regarded as one of the greatest masters of the contemporary short story and a pioneer of modern drama. His works often explore themes of human complexity, existential struggle, and the nuances of everyday life, characterized by their subtlety, humor, and profound perception of human nature. Chekhov's notable plays include "The Seagull," "Uncle Vanya," and "The Cherry Orchard," while his short stories, such as "The Lady with the Dog" and "The Bet," showcase his ability to capture fleeting moments of insight and emotional depth. His literary innovations have had a lasting influence on both literature and theater. more…

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