Abandoned Page #2

"Abandoned" is a poignant short story by Guy de Maupassant that explores themes of love, betrayal, and the complexities of human relationships. The narrative unfolds through the perspective of a heartbroken man who encounters a woman he once loved, now abandoned and living a life of hardship and despair. Maupassant's masterful storytelling delves into the emotional turmoil of the characters as they confront their past choices and the societal pressures that have shaped their lives. With rich imagery and a deep psychological insight, "Abandoned" captures the fragility of love and the enduring effects of abandonment.

								


She got up.

“I will,” she said, and wiping her eyes, she began to walk again with the uncertain step of an elderly woman.

A little farther on the road passed beneath a clump of trees, which hid a few houses, and they could distinguish the vibrating and regular blows of a blacksmith's hammer on the anvil; and presently they saw a wagon standing on the right side of the road in front of a low cottage, and two men shoeing a horse under a shed.

Monsieur d'Apreval went up to them.

“Where is Pierre Benedict's farm?” he asked.

“Take the road to the left, close to the inn, and then go straight on; it is the third house past Poret's. There is a small spruce fir close to the gate; you cannot make a mistake.”

They turned to the left. She was walking very slowly now, her legs threatened to give way, and her heart was beating so violently that she felt as if she should suffocate, while at every step she murmured, as if in prayer:

“Oh! Heaven! Heaven!”

Monsieur d'Apreval, who was also nervous and rather pale, said to her somewhat gruffly:

“If you cannot manage to control your feelings, you will betray yourself at once. Do try and restrain yourself.”

“How can I?” she replied. “My child! When I think that I am going to see my child.”

They were going along one of those narrow country lanes between farmyards, that are concealed beneath a double row of beech trees at either side of the ditches, and suddenly they found themselves in front of a gate, beside which there was a young spruce fir.

“This is it,” he said.

She stopped suddenly and looked about her. The courtyard, which was planted with apple trees, was large and extended as far as the small thatched dwelling house. On the opposite side were the stable, the barn, the cow house and the poultry house, while the gig, the wagon and the manure cart were under a slated outhouse. Four calves were grazing under the shade of the trees and black hens were wandering all about the enclosure.

All was perfectly still; the house door was open, but nobody was to be seen, and so they went in, when immediately a large black dog came out of a barrel that was standing under a pear tree, and began to bark furiously.

There were four bee-hives on boards against the wall of the house.

Monsieur d'Apreval stood outside and called out:

“Is anybody at home?”

Then a child appeared, a little girl of about ten, dressed in a chemise and a linen, petticoat, with dirty, bare legs and a timid and cunning look. She remained standing in the doorway, as if to prevent any one going in.

“What do you want?” she asked.

“Is your father in?”

“No.”

“Where is he?”

“I don't know.”

“And your mother?”

“Gone after the cows.”

“Will she be back soon?”

“I don't know.”

Then suddenly the lady, as if she feared that her companion might force her to return, said quickly:

“I shall not go without having seen him.”

“We will wait for him, my dear friend.”

As they turned away, they saw a peasant woman coming toward the house, carrying two tin pails, which appeared to be heavy and which glistened brightly in the sunlight.

She limped with her right leg, and in her brown knitted jacket, that was faded by the sun and washed out by the rain, she looked like a poor, wretched, dirty servant.

“Here is mamma,” the child said.

When she got close to the house, she looked at the strangers angrily and suspiciously, and then she went in, as if she had not seen them. She looked old and had a hard, yellow, wrinkled face, one of those wooden faces that country people so often have.

Monsieur d'Apreval called her back.

“I beg your pardon, madame, but we came in to know whether you could sell us two glasses of milk.”

She was grumbling when she reappeared in the door, after putting down her pails.

“I don't sell milk,” she replied.

“We are very thirsty,” he said, “and madame is very tired. Can we not get something to drink?”

The peasant woman gave them an uneasy and cunning glance and then she made up her mind.

“As you are here, I will give you some,” she said, going into the house, and almost immediately the child came out and brought two chairs, which she placed under an apple tree, and then the mother, in turn, brought out two bowls of foaming milk, which she gave to the visitors. She did not return to the house, however, but remained standing near them, as if to watch them and to find out for what purpose they had come there.

“You have come from Fecamp?” she said.

“Yes,” Monsieur d'Apreval replied, “we are staying at Fecamp for the summer.”

And then, after a short silence, he continued:

“Have you any fowls you could sell us every week?”

The woman hesitated for a moment and then replied:

“Yes, I think I have. I suppose you want young ones?”

“Yes, of course.”

“'What do you pay for them in the market?”

D'Apreval, who had not the least idea, turned to his companion:

“What are you paying for poultry in Fecamp, my dear lady?”

“Four francs and four francs fifty centimes,” she said, her eyes full of tears, while the farmer's wife, who was looking at her askance, asked in much surprise:

“Is the lady ill, as she is crying?”

He did not know what to say, and replied with some hesitation:

“No—no—but she lost her watch as we came along, a very handsome watch, and that troubles her. If anybody should find it, please let us know.”

Mother Benedict did not reply, as she thought it a very equivocal sort of answer, but suddenly she exclaimed:

“Oh, here is my husband!”

She was the only one who had seen him, as she was facing the gate. D'Apreval started and Madame de Cadour nearly fell as she turned round suddenly on her chair.

A man bent nearly double, and out of breath, stood there, ten-yards from them, dragging a cow at the end of a rope. Without taking any notice of the visitors, he said:

“Confound it! What a brute!”

And he went past them and disappeared in the cow house.

Her tears had dried quickly as she sat there startled, without a word and with the one thought in her mind, that this was her son, and D'Apreval, whom the same thought had struck very unpleasantly, said in an agitated voice:

“Is this Monsieur Benedict?”

“Who told you his name?” the wife asked, still rather suspiciously.

“The blacksmith at the corner of the highroad,” he replied, and then they were all silent, with their eyes fixed on the door of the cow house, which formed a sort of black hole in the wall of the building. Nothing could be seen inside, but they heard a vague noise, movements and footsteps and the sound of hoofs, which were deadened by the straw on the floor, and soon the man reappeared in the door, wiping his forehead, and came toward the house with long, slow strides. He passed the strangers without seeming to notice them and said to his wife:

“Go and draw me a jug of cider; I am very thirsty.”

Then he went back into the house, while his wife went into the cellar and left the two Parisians alone.

“Let us go, let us go, Henri,” Madame de Cadour said, nearly distracted with grief, and so d'Apreval took her by the arm, helped her to rise, and sustaining her with all his strength, for he felt that she was nearly fainting, he led her out, after throwing five francs on one of the chairs.
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