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"A Woman's Life" (French: "Une vie") by Guy de Maupassant tells the poignant story of Jeanne, a young noblewoman in the 19th century, as she navigates the complexities of love, marriage, and societal expectations. Spanning her life from a romanticized youth to a disillusioned adulthood, the novel explores themes of gender, class, and the harsh realities faced by women. Through Jeanne's experiences, Maupassant critiques the constraints imposed by society and highlights the emotional turmoil that often accompanies personal choices. The narrative is both a reflection on the individual's struggle for autonomy and a subtle commentary on the limitations placed on women of the era.

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Submitted by davidb on February 03, 2025


								
snowy fleece in the midst of the bright blue sky. She went down into the valley leading to the sea, between the two great arches which are called the gates of Etretat, and went slowly towards the wood. The sunlight poured down through the foliage which, as yet, was not very thick, and Jeanne wandered along the little paths unable to find the spot where she had sat with Julien. She turned into a long alley and, at the other end of it, saw two saddle-horses fastened to a tree; she recognized them at once; they were Gilberte's and Julien's. Tired of being alone and pleased at this unexpected meeting, she trotted quickly up to them, and when she reached the two animals, which were waiting quietly as if accustomed to stand like this, she called aloud. There was no answer. On the grass, which looked as if someone had rested there, lay a woman's glove and two whips. Julien and Gilberte had evidently sat down and then gone farther on, leaving the horses tied to the tree. Jeanne wondered what they could be doing, and getting off her horse, she leant against the trunk of a tree and waited for a quarter of an hour or twenty minutes. She stood quite motionless, and two little birds flew down onto the grass close by her. One of them hopped round the other, fluttering his outstretched wings, and chirping and nodding his little head; all at once they coupled. Jeanne watched them, as surprised as if she had never known of such a thing before; then she thought: "Oh, of course! It is springtime." Then came another thought--a suspicion. She looked again at the glove, the whips and the two horses standing riderless; then she sprang on her horse with an intense longing to leave this place. She started back to Les Peuples at a gallop. Her brain was busy reasoning, connecting different incidents and thinking it all out. How was it that she had never noticed anything, had never guessed this before? How was it that Julien's frequent absence from home, his renewed attention to his toilet, his better temper had told her nothing? Now she understood Gilberte's nervous irritability, her exaggerated affection for herself and the bliss in which she had appeared to be living lately, and which had so pleased the comte. She pulled up her horse for she wanted to think calmly, and the quick movement confused her ideas. After the first shock she became almost indifferent; she felt neither jealousy nor hatred, only contempt. She did not think about Julien at all, for nothing that he could do would have astonished her, but the twofold treachery of the comtesse, who had deceived her friend as well as her husband, hurt her deeply. So everyone was treacherous, and untrue and faithless! Her eyes filled with tears, for sometimes it is as bitter to see an illusion destroyed as to witness the death of a friend. She resolved to say nothing more about her discovery. Her heart would be dead to everyone but Paul and her parents, but she would bear a smiling face. When she reached home she caught up her son in her arms, carried him to her room and pressed her lips to his face again and again, and for a whole hour she played with and caressed him. Julien came in to dinner in a very good temper and full of plans for his wife's pleasure. "Won't your father and mother come and stay with us this year?" he said. Jeanne almost forgave him his infidelity, so grateful was she to him for making this proposal. She longed to see the two people she loved best after Paul, and she passed the whole evening in writing to them, and urging them to come as soon as possible. They wrote to say they would come on the twentieth of May; it was then the seventh, and Jeanne awaited their arrival with intense impatience. Besides her natural desire to see her parents, she felt it would be such a relief to have near her two honest hearts, two simple-minded beings whose life and every action, thought and desire had always been upright and pure. She felt she stood alone in her honesty among all this guilt. She had learnt to dissimulate her feelings, to meet the comtesse with an outstretched hand and a smiling face, but her sense of desolation increased with her contempt for her fellow-men. Every day some village scandal reached her ears which filled her with still greater disgust and scorn for human frailty. The Couillards' daughter had just had a child and was therefore going to be married. The Martins' servant, who was an orphan, a little girl only fifteen years old, who lived near, and a widow, a lame, poverty-stricken woman who was so horribly dirty that she had been nicknamed La Crotte, were all pregnant; and Jeanne was continually hearing of the misconduct of some girl, some married woman with a family, or of some rich farmer who had been held in general respect. This warm spring seemed to revive the passions of mankind as it revived the plants and the flowers; but to Jeanne, whose senses were dead, and whose wounded heart and romantic soul were alone stirred by the warm springtide breezes, and who only dreamed of the poetic side of love, these bestial desires were revolting and hateful. She was angry with Gilberte, not for having robbed her of her husband, but for having bespattered herself with this filth. The comtesse was not of the same class as the peasants, who could not resist their brutal desires; then how could she have fallen into the same abomination? The very day that her parents were to arrive, Julien increased his wife's disgust by telling her laughingly, as though it were something quite natural and very funny, that the baker having heard a noise in his oven the day before, which was not baking day, had gone to see what it was, and instead of finding the stray cat he expected to see, had surprised his wife, "who was certainly not putting bread into the oven." "The baker closed the mouth of the oven," went on Julien, "and they would have been suffocated if the baker's little boy, who had seen his mother go into the oven with the blacksmith, had not told the neighbors what was going on." He laughed as he added, "That will give a nice flavor to the bread. It is just like a tale of La Fontaine's." For some time after that Jeanne could not touch bread. When the post-chaise drew up before the door with the baron's smiling face looking out of the window, Jeanne felt fonder of her parents and more pleased to see them than she had ever been before; but when she saw her mother she was overcome with surprise and grief. The baroness looked ten years older than when she had left Les Peuples six months before. Her huge, flabby cheeks were suffused with blood, her eyes had a glazed look, and she could not move a step unless she was supported on either side; she drew her breath with so much difficulty that only to hear her made everyone around her draw theirs painfully also. The baron, who had lived with her and seen her every day, had not noticed the gradual change in his wife, and if she had complained or
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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