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"A Woman's Life" (French: "Une vie") by Guy de Maupassant tells the poignant story of Jeanne, a young noblewoman in the 19th century, as she navigates the complexities of love, marriage, and societal expectations. Spanning her life from a romanticized youth to a disillusioned adulthood, the novel explores themes of gender, class, and the harsh realities faced by women. Through Jeanne's experiences, Maupassant critiques the constraints imposed by society and highlights the emotional turmoil that often accompanies personal choices. The narrative is both a reflection on the individual's struggle for autonomy and a subtle commentary on the limitations placed on women of the era.

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Submitted by davidb on February 03, 2025


								
of impatience. Then afraid of arousing her husband's quarrelsome temper, she consented to stay, though the idea of not seeing Paul till the next day was torture to her. They spent a delightful afternoon. First of all the visitors were taken to see the springs which flowed from the foot of a moss-covered rock into a crystal basin of water which bubbled as if it were boiling, and then they went in a boat among the dry reeds, where paths of water had been formed by cutting down the rushes. The comte rowed (his two dogs sitting each side of him with their noses in the air) and each vigorous stroke of the oars lifted the boat half out of the water and sent it rapidly on its way. Jeanne let her hand trail in the water, enjoying the icy coolness, which seemed to soothe her, and Julien and the comtesse, well wrapped up in rugs, sat in smiling silence in the stern of the boat, as if they were too happy to talk. The evening drew on, and with it the icy, northerly wind came over the withered reeds. The sun had disappeared behind the firs, and it made one cold only to look at the crimson sky, covered with tiny, red fantastically-shaped clouds. They all went in to the big drawing-room where an enormous fire was blazing. The room seemed to be filled with an atmosphere of warmth and comfort, and the comte gayly took up his wife in his strong arms like a child, and gave her two hearty kisses on her cheeks. Jeanne could not help smiling at this good-natured giant to whom his moustaches gave the appearance of an ogre. "What wrong impressions of people one forms every day," she thought; and, almost involuntarily, she glanced at Julien. He was standing in the doorway his eyes fixed on the comte and his face very pale. His expression frightened her and, going up to him, she asked: "What is the matter? are you ill?" "There's nothing the matter with me," he answered, churlishly. "Leave me alone. I only feel cold." Dinner was announced and the comte begged permission for his dogs to come into the dining-room. They came and sat one on each side of their master, who every minute threw them some scrap of food. The animals stretched out their heads, and wagged their tails, quivering with pleasure as he drew their long silky ears through his fingers. After dinner, when Jeanne and Julien began to say good-bye, the comte insisted on their staying to see some fishing by torchlight. They and the comtesse stood on the steps leading down to the lake, while the comte got into his boat with a servant carrying a lighted torch and a net. The torch cast strange trembling reflections over the water, its dancing glimmers even lighting up the firs beyond the reeds; and suddenly, as the boat turned round, an enormous fantastic shadow was thrown on the background of the illumined wood. It was the shadow of a man, but the head rose above the trees and was lost against the dark sky, while the feet seemed to be down in the lake. This huge creature raised its arms as if it would grasp the stars; the movement was a rapid one, and the spectators on the steps heard a little splash. The boat tacked a little, and the gigantic shadow seemed to run along the wood, which was lighted up as the torch moved with the boat; then it was lost in the darkness, then reappeared on the château wall, smaller, but more distinct; and the loud voice of the comte was heard exclaiming: "Gilberte, I have caught eight!" The oars splashed, and the enormous shadow remained standing in the same place on the wall, but gradually it became thinner and shorter; the head seemed to sink lower and the body to get narrower, and when M. de Fourville came up the steps, followed by the servant carrying the torch, it was reduced to his exact proportions, and faithfully copied all his movements. In the net he had eight big fish which were still quivering. As Jeanne and Julien were driving home, well wrapped up in cloaks and rugs which the Fourvilles had lent them, "What a good-hearted man that giant is," said Jeanne, almost to herself. "Yes," answered Julien; "but he makes too much show of his affection, sometimes, before people." A week after their visit to the Fourvilles, they called on the Couteliers, who were supposed to be the highest family in the province, and whose estate lay near Cany. The new château, built in the reign of Louis XIV, lay in a magnificent park, entirely surrounded by walls, and the ruins of the old château could be seen from the higher parts of the grounds. A liveried servant showed the visitors into a large, handsome room. In the middle of the floor an enormous Sèvres vase stood on a pedestal, into which a crystal case had been let containing the king's autograph letter, offering this gift to the Marquis Léopold Hervé Joseph Germer de Varneville, de Rollebosc de Coutelier. Jeanne and Julien were looking at this royal present when the marquis and marquise came in, the latter wearing her hair powdered. The marquise thought her rank constrained her to be amiable, and her desire to appear condescending made her affected. Her husband was a big man, with white hair brushed straight up all over his head, and a haughtiness in his voice, in all his movements, in his every attitude which plainly showed the esteem in which he held himself. They were people who had a strict etiquette for everything, and whose feelings seemed always stilted, like their words. They both talked on without waiting for an answer, smiled with an air of indifference, and behaved as if they were accomplishing a duty imposed upon them by their superior birth, in receiving the smaller nobles of the province with such politeness. Jeanne and Julien tried to make themselves agreeable, though they felt ill at ease, and when the time came to conclude their visit they hardly knew how to retire, though they did not want to stay any longer. However, the marquise, herself, ended the visit naturally and simply by stopping short the conversation, like a queen ending an audience. "I don't think we will call on anyone else, unless you want to," said Julien, as they were going back. "The Fourvilles are quite as many friends as I want." And Jeanne agreed with him. Dark, dreary December passed slowly away. Everyone stayed at home like the winter before, but Jeanne's thoughts were too full of Paul for her ever to feel dull. She would hold him in her arms covering him with those passionate kisses which mothers lavish on their children, then offering the baby's face to his father: "Why don't you kiss him?" she would say. "You hardly seem to love him." Julien would just touch the infant's smooth forehead with his lips, holding his body as far away as possible, as if he were afraid of the little hands touching him in their aimless movements. Then he would go quickly out of the room, almost as though the child disgusted him. The mayor, the doctor, and the curé came to dinner occasionally, and
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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