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"A Woman's Life" (French: "Une vie") by Guy de Maupassant tells the poignant story of Jeanne, a young noblewoman in the 19th century, as she navigates the complexities of love, marriage, and societal expectations. Spanning her life from a romanticized youth to a disillusioned adulthood, the novel explores themes of gender, class, and the harsh realities faced by women. Through Jeanne's experiences, Maupassant critiques the constraints imposed by society and highlights the emotional turmoil that often accompanies personal choices. The narrative is both a reflection on the individual's struggle for autonomy and a subtle commentary on the limitations placed on women of the era.

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Submitted by davidb on February 03, 2025


								
that girl!" They were all taken too much by surprise to make any answer, and he went on, too angry to speak distinctly: "I can't understand how you can be such fools! But there I suppose you will keep on till we haven't a sou left!" The baron, recovering himself, a little, tried to check his son-in-law: "Be quiet!" he exclaimed. "Don't you see that your wife is in the room?" "I don't care if she is," answered Julien, stamping his foot. "Besides, she ought to know about it. It is depriving her of her rightful inheritance." Jeanne had listened to her husband in amazement, utterly at a loss to know what it was all about: "Whatever is the matter?" she asked. Then Julien turned to her, expecting her to side with him, as the loss of the money would affect her also. He told her in a few words how her parents were trying to arrange a marriage for Rosalie, and how the maid's child was to have the farm at Barville, which was worth twenty thousand francs at the very least. And he kept on repeating: "Your parents must be mad, my dear, raving mad! Twenty thousand francs! Twenty thousand francs! They can't be in their right senses! Twenty thousand francs for a bastard!" Jeanne listened to him quite calmly, astonished herself to find that she felt neither anger nor sorrow at his meanness, but she was perfectly indifferent now to everything which did not concern her child. The baron was choking with anger, and at last he burst out, with a stamp of the foot: "Really, this is too much! Whose fault is it that this girl has to have a dowry? You seem to forget who is her child's father; but, no doubt, you would abandon her altogether if you had your way!" Julien gazed at the baron for a few moments in silent surprise. Then he went on more quietly: "But fifteen hundred francs would have been ample to give her. All the peasant-girls about here have children before they marry, so what does it matter who they have them by? And then, setting aside the injustice you will be doing Jeanne and me, you forget that if you give Rosalie a farm worth twenty thousand francs everybody will see at once that there must be a reason for such a gift. You should think a little of what is due to our name and position." He spoke in a calm, cool way as if he were sure of his logic and the strength of his argument. The baron, disconcerted by this fresh view of the matter, could find nothing to say in reply, and Julien, feeling his advantage, added: "But fortunately, nothing is settled. I know the man who is going to marry her and he is an honest fellow with whom everything can yet be satisfactorily arranged. I will see to the matter myself." With that he went out of the room, wishing to avoid any further discussion, and taking the silence with which his words were received to mean acquiescence. As soon as the door had closed after his son-in-law, the baron exclaimed: "Oh, this is more than I can stand!" Jeanne, catching sight of her father's horrified expression, burst into a clear laugh which rang out as it used to do whenever she had seen something very funny: "Papa, papa!" she cried. "Did you hear the tone in which he said 'twenty thousand francs!'" The baroness, whose smiles lay as near the surface as her tears, quivered with laughter as she saw Jeanne's gayety, and thought of her son-in-law's furious face, and his indignant exclamations and determined attempt to prevent this money, which was not his, being given to the girl he had seduced. Finally the baron caught the contagion and they all three laughed till they ached as in the happy days of old. When they were a little calmer, Jeanne said: "It is very funny, but really I don't seem to mind in the least what he says or does now. I look upon him quite as a stranger, and I can hardly believe I am his wife. You see I am able to laugh at his--his want of delicacy." And the parents and child involuntarily kissed each other, with smiles on their lips, though the tears were not very far from their eyes. Two days after this scene, when Julien had gone out for a ride, a tall, young fellow of about four or five-and-twenty, dressed in a brand-new blue blouse, which hung in stiff folds, climbed stealthily over the fence, as if he had been hiding there all the morning, crept along the Couillards' ditch, and went round to the other side of the château where Jeanne and her father and mother were sitting under the plane-tree. He took off his cap and awkwardly bowed as he came towards them, and, when he was within speaking distance, mumbled: "Your servant, monsieur le baron, madame and company." Then, as no one said anything to him he introduced himself as "Desiré Lecoq." This name failing to explain his presence at the château, the baron asked: "What do you want?" The peasant was very disconcerted when he found he had to state his business. He hesitated, stammered, cast his eyes from the cap he held in his hands to the château roof and back again, and at last began: "M'sieu l'curé has said somethin' to me about this business--" then, fearing to say too much and thus injure his own interests, he stopped short. "What business?" asked the baron. "I don't know what you mean." "About your maid--what's her name--Rosalie," said the man in a low voice. Jeanne, guessing what he had come about, got up and went away with her child in her arms. "Sit down," said the baron, pointing to the chair his daughter had just left. The peasant took the seat with a "Thank you, kindly," and then waited as if he had nothing whatever to say. After a few moments, during which no one spoke, he thought he had better say something, so he looked up to the blue sky and remarked: "What fine weather for this time of year to be sure. It'll help on the crops finely." And then he again relapsed into silence. The baron began to get impatient. "Then you are going to marry Rosalie?" he said in a dry tone, going straight to the point. At that all the crafty suspicious nature of the Normandy peasant was on the alert. "That depends," he answered quickly. "Perhaps I am and perhaps I ain't, that depends." All this beating about the bush irritated the baron. "Can't you give a straightforward answer?" he exclaimed. "Have you come to say you will marry the girl or not?" The man looked at his feet as though he expected to find advice there: "If it's as M'sieu l'curé says," he replied, "I'll have her; but if it's as M'sieu Julien says, I won't." "What did M. Julien tell you?" "M'sieu Julien told me as how I should have fifteen hundred francs; but M'sieu l'curé told me as how I should 'ave twenty thousand. I'll have her for twenty thousand, but I won't for fifteen hundred."
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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