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"A Woman's Life" (French: "Une vie") by Guy de Maupassant tells the poignant story of Jeanne, a young noblewoman in the 19th century, as she navigates the complexities of love, marriage, and societal expectations. Spanning her life from a romanticized youth to a disillusioned adulthood, the novel explores themes of gender, class, and the harsh realities faced by women. Through Jeanne's experiences, Maupassant critiques the constraints imposed by society and highlights the emotional turmoil that often accompanies personal choices. The narrative is both a reflection on the individual's struggle for autonomy and a subtle commentary on the limitations placed on women of the era.

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right on me, and my gun dropped and rolled down to that chestnut there. Jean's mouth was wide open, but he didn't say a word; he was dead." The young couple stared in astonishment at this calm witness of such a crime. "What became of the murderer?" asked Jeanne. Paoli coughed for some time, then he went on: "He gained the mountain, and my brother killed him the next year. My brother, Philippi Palabretti, the bandit, you know." Jeanne shuddered. "Is your brother a bandit?" she asked. The placid Corsican's eye flashed proudly. "Yes, madame, he was a celebrated bandit, he was; he put an end to six gendarmes. He died with Nicolas Morali after they had been surrounded for six days, and were almost starved to death." Then they went in to dinner, and the little woman treated them as if she had known them twenty years. Jeanne was haunted by the fear that she would not again experience the strange shock she had felt in Julien's arms beside the fountain, and when they were alone in their room she was still afraid his kisses would again leave her insensible, but she was soon reassured, and that was her first night of love. The next day she could hardly bear to leave this humble abode, where a new happiness had come to her; she drew her host's little wife into her bedroom, and told her she did not mean it as a present in return for their hospitality, but she must absolutely insist on sending her a souvenir from Paris, and to this souvenir she seemed to attach a superstitious importance. For a long time the young Corsican woman refused to accept anything at all, but at last she said: "Well, send me a little pistol, a very little one." Jeanne opened her eyes in astonishment, and the woman added in her ear, as though she were confiding some sweet and tender secret to her: "It's to kill my brother-in-law with." And with a smile on her face, she quickly unbandaged the arm she could not use, and showed Jeanne the soft, white flesh which had been pierced right through with a stiletto, though the wound had nearly healed. "If I had not been as strong as he is," she said, "he would have killed me. My husband is not jealous, for he understands me, and then he is ill, you see, so he is not so hot-blooded; besides, I am an honest woman, madame. But my brother-in-law believes everything that is told him about me, and he is jealous for my husband. I am sure he will make another attempt upon my life, but if I have a little pistol I shall feel safe, and I shall be sure of having my revenge." Jeanne promised to send the weapon, affectionately kissed her new friend and said good-bye. The rest of her journey was a dream, an endless embrace, an intoxication of caresses; she no longer saw country or people or the places where they stopped, she had eyes only for Julien. When they got to Bastia the guide had to be paid; Julien felt in his pockets, and not finding what he wanted, he said to Jeanne: "Since you don't use the two thousand francs your mother gave you, I might as well carry them; they will be safer in my pocket, and, besides, then I shan't have to change any notes." They went to Leghorn, Florence, and Genoa, and, one windy morning, they found themselves again at Marseilles. It was then the fifteenth of October, and they had been away from Les Peuples two months. The cold wind, which seemed to blow from Normandy, chilled Jeanne and made her feel miserable. There had lately been a change in Julien's behavior towards her, he seemed tired, and indifferent, and she had a vague presentiment of evil. She persuaded him to stay at Marseilles four days longer, for she could not bear to leave these warm, sunny lands where she had been so happy, but at last they had to go. They intended to buy all the things they wanted for their housekeeping at Paris, and Jeanne was looking forward to buying all sorts of things for Les Peuples, thanks to her mother's present; but the very first thing she meant to purchase was the pistol she had promised to the young Corsican woman at Evisa. The day after they reached Paris, she said to Julien: "Will you give me mamma's money, dear? I want to buy some things." He looked rather cross. "How much do you want?" he asked. "Oh--what you like," she answered in surprise. "I will give you a hundred francs," he answered; "and whatever you do, don't waste it." She did not know what to say, she felt so amazed and confused, but at last she said in a hesitating way: "But--I gave you that money to--" He interrupted her. "Yes, exactly. What does it matter whether it's in your pocket or mine now that we share everything? I am not refusing you the money, am I? I am going to give you a hundred francs." She took the five pieces of gold without another word; she did not dare ask for more, so she bought nothing but the pistol. A week later they started for Les Peuples. VI When the post-chaise drove up, the baron and baroness and all the servants were standing outside the white railings to give the travelers a hearty welcome home. The baroness cried, Jeanne quietly wiped away two tears, and her father walked backwards and forwards nervously. Then, while the luggage was being brought in, the whole journey was gone over again before the drawing-room fire. The eager words flowed from Jeanne's lips, and in half-an-hour she had related everything, except a few little details she forgot in her haste. Then she went to unpack, with Rosalie, who was in a state of great excitement, to help her; when she had finished and everything had been put away in its proper place Rosalie left her mistress, and Jeanne sat down, feeling a little tired. She wondered what she could do next, and she tried to think of some occupation for her mind, some task for her fingers. She did not want to go down to the drawing-room again to sit by her mother who was dozing, and she thought of going for a walk, but it was so miserable out of doors that only to glance out of the window made her feel melancholy. Then the thought flashed across her mind that now there never would be anything for her to do. At the convent the future had always given her something to think about, and her dreams had filled the hours, so that their flight had passed unnoticed; but she had hardly left the convent when her love-dreams had been realized. In a few weeks she had met, loved, and married a man who had borne her away in his arms without giving her time to think of anything. But now the sweet reality of the first few weeks of married life was going to become a daily monotony, barring the way to all the hopes and delicious fears of an unknown future. There was nothing more to which she could look forward, nothing more for her to do, to-day, to-morrow, or ever. She felt all that with a vague sensation of disillusion and melancholy. She rose and went to lean
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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