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"A Vagabond" by Guy de Maupassant is a poignant short story that explores themes of isolation, identity, and the search for belonging. The narrative follows the life of a wandering artist who grapples with his place in society and the inherent struggles faced by those who live outside conventional norms. As he encounters various characters and experiences the stark contrasts between wealth and poverty, Maupassant delves into the complexities of human existence and the longing for connection. The story captures the essence of life on the fringes, celebrating the spirit of freedom while confronting the realities of loneliness and alienation.

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Submitted by davidb on February 02, 2025


								
“He is a vagabond without house or home, Monsieur le Maire, without any resources or money, so he says, who was arrested in the act of begging, but he is provided with good testimonials, and his papers are all in order.” “Show me his papers,” the mayor said. He took them, read them, reread, returned them and then said: “Search him.” So they searched him, but found nothing, and the mayor seemed perplexed, and asked the workman: “What were you doing on the road this morning?” “I was looking for work.” “Work? On the highroad?” “How do you expect me to find any if I hide in the woods?” They looked at each other with the hatred of two wild beasts which belong to different hostile species, and the magistrate continued: “I am going to have you set at liberty, but do not be brought up before me again.” To which the carpenter replied: “I would rather you locked me up; I have had enough running about the country.” But the magistrate replied severely: “be silent.” And then he said to the two gendarmes: “You will conduct this man two hundred yards from the village and let him continue his journey.” “At any rate, give me something to eat,” the workman said, but the other grew indignant: “Have we nothing to do but to feed you? Ah! ah! ah! that is rather too much!” But Randel went on firmly: “If you let me nearly die of hunger again, you will force me to commit a crime, and then, so much the worse for you other fat fellows.” The mayor had risen and he repeated: “Take him away immediately or I shall end by getting angry.” The two gendarmes thereupon seized the carpenter by the arms and dragged him out. He allowed them to do it without resistance, passed through the village again and found himself on the highroad once more; and when the men had accompanied him two hundred yards beyond the village, the brigadier said: “Now off with you and do not let me catch you about here again, for if I do, you will know it.” Randel went off without replying or knowing where he was going. He walked on for a quarter of an hour or twenty minutes, so stupefied that he no longer thought of anything. But suddenly, as he was passing a small house, where the window was half open, the smell of the soup and boiled meat stopped him suddenly, and hunger, fierce, devouring, maddening hunger, seized him and almost drove him against the walls of the house like a wild beast. He said aloud in a grumbling voice: “In Heaven's name! they must give me some this time!” And he began to knock at the door vigorously with his stick, and as no one came he knocked louder and called out: “Hey! hey! you people in there, open the door!” And then, as nothing stirred, he went up to the window and pushed it wider open with his hand, and the close warm air of the kitchen, full of the smell of hot soup, meat and cabbage, escaped into the cold outer air, and with a bound the carpenter was in the house. Two places were set at the table, and no doubt the proprietors of the house, on going to church, had left their dinner on the fire, their nice Sunday boiled beef and vegetable soup, while there was a loaf of new bread on the chimney-piece, between two bottles which seemed full. Randel seized the bread first of all and broke it with as much violence as if he were strangling a man, and then he began to eat voraciously, swallowing great mouthfuls quickly. But almost immediately the smell of the meat attracted him to the fireplace, and, having taken off the lid of the saucepan, he plunged a fork into it and brought out a large piece of beef tied with a string. Then he took more cabbage, carrots and onions until his plate was full, and, having put it on the table, he sat down before it, cut the meat into four pieces, and dined as if he had been at home. When he had eaten nearly all the meat, besides a quantity of vegetables, he felt thirsty and took one of the bottles off the mantelpiece. Scarcely had he poured the liquor into his glass when he saw it was brandy. So much the better; it was warming and would instill some fire into his veins, and that would be all right, after being so cold; and he drank some. He certainly enjoyed it, for he had grown unaccustomed to it, and he poured himself out another glassful, which he drank at two gulps. And then almost immediately he felt quite merry and light-hearted from the effects of the alcohol, just as if some great happiness filled his heart. He continued to eat, but more slowly, and dipping his bread into the soup. His skin had become burning, and especially his forehead, where the veins were throbbing. But suddenly the church bells began to ring. Mass was over, and instinct rather than fear, the instinct of prudence, which guides all beings and makes them clear-sighted in danger, made the carpenter get up. He put the remains of the loaf into one pocket and the brandy bottle into the other, and he furtively went to the window and looked out into the road. It was still deserted, so he jumped out and set off walking again, but instead of following the highroad he ran across the fields toward a wood he saw a little way off. He felt alert, strong, light-hearted, glad of what he had done, and so nimble that he sprang over the enclosure of the fields at a single bound, and as soon as he was under the trees he took the bottle out of his pocket again and began to drink once more, swallowing it down as he walked, and then his ideas began to get confused, his eyes grew dim, and his legs as elastic as springs, and he started singing the old popular song: “Oh! what joy, what joy it is, To pick the sweet, wild strawberries.” He was now walking on thick, damp, cool moss, and that soft carpet under his feet made him feel absurdly inclined to turn head over heels as he used to do when a child, so he took a run, turned a somersault, got up and began over again. And between each time he began to sing again: “Oh! what joy, what joy it is, To pick the sweet, wild strawberries.” Suddenly he found himself above a deep road, and in the road he saw a tall girl, a servant, who was returning to the village with two pails of milk. He watched, stooping down, and with his eyes as bright as those of a dog who scents a quail, but she saw him raised her head and said: “Was that you singing like that?” He did not reply, however, but jumped down into the road, although it was a fall of at least six feet and when she saw him suddenly standing in front of her, she exclaimed: “Oh! dear, how you frightened me!” But he did not hear her, for he was drunk, he was mad, excited by another requirement which was more imperative than hunger, more feverish than alcohol; by the irresistible fury of the man who has been deprived of everything for two months, and who is drunk; who is young, ardent and inflamed by all the appetites which nature has implanted in the vigorous flesh of men. The girl started back from him, frightened at his face, his eyes, his half-open mouth, his outstretched hands, but he seized her by the shoulders, and without a word, threw her down in the road.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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