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"A Strange Story" is a novella by Ivan Sergeevich Turgenev that explores themes of existentialism, the nature of love, and the complexities of human relationships. The narrative revolves around a chance encounter between the protagonist, a young man named Vanya, and a mysterious woman, which leads him to reflect on his own desires and the intricate workings of fate. Turgenev's lyrical prose and keen psychological insights create a rich tapestry of emotions as the characters navigate their intertwined fates, ultimately uncovering deeper truths about their lives and the world around them. The story encapsulates Turgenev's characteristic exploration of the human condition, blending elements of romance and philosophical introspection.


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Submitted by davidb on January 27, 2025


								
seemed to fall upon him; again he appeared ... vanished again ... appeared again, and always closer, closer ... his hard, almost gasping breathing floated across to me now.... Again the mist fell, and all of a sudden out of this mist the head of old Dessaire began to take distinct shape, beginning with the white, brushed-back hair! Yes: there were his warts, his black eyebrows, his hook nose! There too his green coat with the brass buttons, the striped waistcoat and jabot.... I shrieked, I got up.... The old man vanished, and in his place I saw again the man in the blue smock. He moved staggering to the wall, leaned his head and both arms against it, and heaving like an over-loaded horse, in a husky voice said, 'Tea!' Mastridia Karpovna--how she came there I can't say--flew to him and saying: 'Vassinka! Vassinka!' began anxiously wiping away the sweat, which simply trickled from his face and hair. I was on the point of approaching her, but she, so insistently, in such a heart-rending voice cried: 'Your honour! merciful sir! have pity on us, go away, for Christ's sake!' that I obeyed, while she turned again to her son. 'Bread-winner, darling,' she murmured soothingly: 'you shall have tea directly, directly. And you too, sir, had better take a cup of tea at home!' she shouted after me. * * * * * When I got home I obeyed Mastridia and ordered some tea; I felt tired--even weak. 'Well?' Ardalion questioned me, 'have you been? did you see something?' 'He did, certainly, show me something ... which, I'll own, I had not anticipated,' I replied. 'He's a man of marvellous power,' observed Ardalion, carrying off the samovar; 'he is held in high esteem among the merchant gentry.' As I went to bed, and reflected on the incident that had occurred to me, I fancied at last that I had reached some explanation of it. The man doubtless possessed a considerable magnetic power; acting by some means, which I did not understand of course, upon my nerves, he had evoked within me so vividly, so definitely, the image of the old man of whom I was thinking, that at last I fancied that I saw him before my eyes.... Such 'metastases,' such transferences of sensation, are recognised by science. It was all very well; but the force capable of producing such effects still remained, something marvellous and mysterious. 'Say what you will,' I thought, 'I've seen, seen with my own eyes, my dead tutor!' * * * * * The next day the ball in the Hall of Nobility took place. Sophia's father called on me and reminded me of the engagement I had made with his daughter. At ten o'clock I was standing by her side in the middle of a ballroom lighted up by a number of copper lamps, and was preparing to execute the not very complicated steps of the French quadrille to the resounding blare of the military band. Crowds of people were there; the ladies were especially numerous and very pretty; but the first place among them would certainly have been given to my partner, if it had not been for the rather strange, even rather wild look in her eyes. I noticed that she hardly ever blinked; the unmistakable expression of sincerity in her eyes did not make up for what was extraordinary in them. But she had a charming figure, and moved gracefully, though with constraint. When she waltzed, and, throwing herself a little back, bent her slender neck towards her right shoulder, as though she wanted to get away from her partner, nothing more touchingly youthful and pure could be imagined. She was all in white, with a turquoise cross on a black ribbon. I asked her for a mazurka, and tried to talk to her. But her answers were few and reluctant, though she listened attentively, with the same expression of dreamy absorption which had struck me when I first met her. Not the slightest trace of desire to please, at her age, with her appearance, and the absence of a smile, and those eyes, continually fixed directly upon the eyes of the person speaking to her, though they seemed at the same time to see something else, to be absorbed with something different.... What a strange creature! Not knowing, at last, how to thaw her, I bethought me of telling her of my adventure of the previous day. * * * * * She heard me to the end with evident interest, but was not, as I had expected, surprised at what I told her, and merely asked whether he was not called Vassily. I recollected that the old woman had called him 'Vassinka.' 'Yes, his name is Vassily,' I answered; 'do you know him?' 'There is a saintly man living here called Vassily,' she observed; 'I wondered whether it was he.' 'Saintliness has nothing to do with this,' I remarked; 'it's simply the action of magnetism--a fact of interest for doctors and students of science.' I proceeded to expound my views on the peculiar force called magnetism, on the possibility of one man's will being brought under the influence of another's will, and so on; but my explanations--which were, it is true, somewhat confused--seemed to make no impression on her. Sophie listened, dropping her clasped hands on her knees with a fan lying motionless in them; she did not play with it, she did not move her fingers at all, and I felt that all my words rebounded from her as from a statue of stone. She heard them, but clearly she had her own convictions, which nothing could shake or uproot. 'You can hardly admit miracles!' I cried. 'Of course I admit them,' she answered calmly. 'And how can one help admitting them? Are not we told in the gospel that who has but a grain of faith as big as a mustard seed, he can remove mountains? One need only have faith--there will be miracles!' 'It seems there is very little faith nowadays,' I observed; 'anyway, one doesn't hear of miracles.' 'But yet there are miracles; you have seen one yourself. No; faith is not dead nowadays; and the beginning of faith ...' 'The fear of God is the beginning of wisdom,' I interrupted. 'The beginning of faith,' pursued Sophie, nothing daunted, 'is self-abasement ... humiliation.' 'Humiliation even?' I queried. 'Yes. The pride of man, haughtiness, presumption--that is what must be utterly rooted up. You spoke of the will--that's what must be broken.' I scanned the whole figure of the young girl who was uttering such sentences.... 'My word, the child's in earnest, too,' was my thought. I glanced at our neighbours in the mazurka; they, too, glanced at me, and I fancied that my astonishment amused them; one of them even smiled at me sympathetically, as though he would say: 'Well, what do you think of our queer young lady? every one here knows what she's like.' 'Have you tried to break your will?' I said, turning to Sophie again. 'Every one is bound to do what he thinks right,' she answered in a dogmatic tone. 'Let me ask you,' I began, after a brief silence, 'do you believe in the possibility of calling up the dead?' Sophie softly shook her head.
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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