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"A Ship of '49" by Bret Harte is a vivid and engaging novella that captures the spirit of the Gold Rush era in California. Through the eyes of its characters, Harte explores themes of adventure, ambition, and the complexities of human relationships in a rapidly changing society. The story revolves around the experiences of a ship's crew during this tumultuous time, highlighting the struggles and hopes of those drawn to the promise of fortune and new beginnings. With Harte's trademark wit and rich descriptive style, the narrative offers a compelling glimpse into the lives of those who sought their fortunes on the windswept shores of the Pacific.


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regarded the transforming Circe. Rosey turned away with the faintest sigh. The habitual look of abstraction returned to her eyes as if she had once more taken refuge in her own ideal world. Unfortunately the change did not escape either the sensitive observation or the fatuous misconception of the sagacious parent. "Ye'll be mountin' a few furbelows and fixins, Rosey, I reckon, ez only natural. Mebbee ye'll have to prink up a little now that we've got a gentleman contractor in the ship. I'll see what I kin pick up in Montgomery Street." And indeed he succeeded a few hours later in accomplishing with equal infelicity his generous design. When she returned from her household tasks she found on her berth a purple velvet bonnet of extraordinary make, and a pair of white satin slippers. "They'll do for a start-off, Rosey," he explained, "and I got 'em at my figgers." "But I go out so seldom, father; and a bonnet"-- "That's so," interrupted Mr. Nott, complacently, "it might be jest ez well for a young gal like yer to appear ez if she did go out, or would go out if she wanted to. So you kin be wearin' that ar headstall kinder like this evening when the contractor's here, ez if you'd jest come in from a pasear." Miss Rosey did not however immediately avail herself of her father's purchase, but contented herself with the usual scarlet ribbon that like a snood confined her brown hair, when she returned to her tasks. The space between the galley and the bulwarks had been her favorite resort in summer when not actually engaged in household work. It was now lightly roofed over with boards and tarpaulin against the winter rain, but still afforded her a veranda-like space before the galley door, where she could read or sew, looking over the bow of the Pontiac to the tossing bay or the farther range of the Contra Costa hills. Hither Miss Rosey brought the purple prodigy, partly to please her father, partly with a view of subjecting it to violent radical changes. But after trying it on before the tiny mirror in the galley once or twice, her thoughts wandered away, and she fell into one of her habitual reveries seated on a little stool before the galley door. She was aroused from it by the slight shaking and rattling of the doors of a small hatch on the deck, not a dozen yards from where she sat. It had been evidently fastened from below during the wet weather, but as she gazed, the fastenings were removed, the doors were suddenly lifted, and the head and shoulders of a young man emerged from the deck. Partly from her father's description, and partly from the impossibility of its being anybody else, she at once conceived it to be the new lodger. She had time to note that he was young and good-looking, graver perhaps than became his sudden pantomimic appearance, but before she could observe him closely, he had turned, closed the hatch with a certain familiar dexterity, and walked slowly towards the bows. Even in her slight bewilderment she observed that his step upon the deck seemed different to her father's or the photographer's, and that he laid his hand on various objects with a half-caressing ease and habit. Presently he paused and turned back, and glancing at the galley door for the first time encountered her wondering eyes. It seemed so evident that she had been a curious spectator of his abrupt entrance on deck that he was at first disconcerted and confused. But after a second glance at her he appeared to resume his composure, and advanced a little defiantly towards the galley. "I suppose I frightened you, popping up the fore hatch just now?" "The what?" asked Rosey. "The fore hatch," he repeated impatiently, indicating it with a gesture. "And that's the fore hatch?" she said abstractedly. "You seem to know ships." "Yes--a little," he said quietly. "I was below, and unfastened the hatch to come up the quickest way and take a look round. I've just hired a room here," he added explanatorily. "I thought so," said Rosey simply; "you're the contractor?" "The contractor!--oh, yes! You seem to know it all." "Father's told me." "Oh, he's your father--Nott? Certainly. I see now," he continued, looking at her with a half repressed smile. "Certainly, Miss Nott, good morning," he half added and walked towards the companion-way. Something in the direction of his eyes as he turned away made Rosey lift her hands to her head. She had forgotten to remove her father's baleful gift. She snatched it off and ran quickly to the companion-way. "Sir!" she called. The young man turned half-way down the steps and looked up. There was a faint color in her cheeks, and her pretty brown hair was slightly disheveled from the hasty removal of the bonnet. "Father's very particular about strangers being on this deck," she said a little sharply. "Oh--ah--I'm sorry I intruded." "I--I--thought I'd tell you," said Rosey, frightened by her boldness into a feeble anti-climax. "Thank you." She came back slowly to the galley and picked up the unfortunate bonnet with a slight sense of remorse. Why should she feel angry with her poor father's unhappy offering? And what business had this strange young man to use the ship so familiarly? Yet she was vaguely conscious that she and her father, with all their love and their domestic experience of it, lacked a certain instinctive ease in its possession that the half indifferent stranger had shown on first treading its deck. She walked to the hatchway and examined it with a new interest. Succeeding in lifting the hatch, she gazed at the lower deck. As she already knew the ladder had long since been removed to make room for one of the partitions, the only way the stranger could have reached it was by leaping to one of the rings. To make sure of this she let herself down holding on to the rings, and dropped a couple of feet to the deck below. She was in the narrow passage her father had penetrated the previous night. Before her was the door leading to De Ferrifères' loft, always locked. It was silent within; it was the hour when the old Frenchman made his habitual promenade in the city. But the light from the newly-opened hatch allowed her to see more of the mysterious recesses of the forward bulkhead than she had known before, and she was startled by observing another yawning hatchway at her feet from which the closely-fitting door had been lifted, and which the new lodger had evidently forgotten to close again. The young girl stooped down and peered cautiously into the black abyss. Nothing was to be seen, nothing heard but the distant gurgle and click of water in some remoter depth. She replaced the hatch and returned by way of the passage to the cabin. When her father came home that night she briefly recounted the interview with the new lodger, and her discovery of his curiosity. She
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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    "A Ship of '49 Books." Literature.com. STANDS4 LLC, 2025. Web. 23 Feb. 2025. <https://www.literature.com/book/a_ship_of_%252526%23039%3B49_4545>.

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