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"A Piece of Steak" is a poignant short story by Jack London that explores themes of pride, desperation, and the harsh realities of life as a struggling boxer. The narrative follows the aging fighter, Tom King, who reflects on his past glories while facing the physical decline that comes with age. As he prepares for a critical match against a younger opponent, King grapples with his fading abilities, the hunger for success, and the symbolic significance of a steak, representing both sustenance and the remnants of his former strength. Through King's struggle, London delves into the broader human condition, making a powerful statement about survival and the relentless passage of time.


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a punch landed, and moved stolidly about, never leaping or springing or wasting an ounce of strength. Sandel must foam the froth of Youth away before discreet Age could dare to retaliate. All King's movements were slow and methodical, and his heavy-lidded, slow-moving eyes gave him the appearance of being half asleep or dazed. Yet they were eyes that saw everything, that had been trained to see everything through all his twenty years and odd in the ring. They were eyes that did not blink or waver before an impending blow, but that coolly saw and measured distance. Seated in his corner for the minute's rest at the end of the round, he lay back with outstretched legs, his arms resting on the right angle of the ropes, his chest and abdomen heaving frankly and deeply as he gulped down the air driven by the towels of his seconds. He listened with closed eyes to the voices of the house, "Why don't yeh fight, Tom?" many were crying. "Yeh ain't afraid of 'im, are yeh?" "Muscle-bound," he heard a man on a front seat comment. "He can't move quicker. Two to one on Sandel, in quids." The gong struck and the two men advanced from their corners. Sandel came forward fully three-quarters of the distance, eager to begin again; but King was content to advance the shorter distance. It was in line with his policy of economy. He had not been well trained, and he had not had enough to eat, and every step counted. Besides, he had already walked two miles to the ringside. It was a repetition of the first round, with Sandel attacking like a whirlwind and with the audience indignantly demanding why King did not fight. Beyond feinting and several slowly delivered and ineffectual blows he did nothing save block and stall and clinch. Sandel wanted to make the pace fast, while King, out of his wisdom, refused to accommodate him. He grinned with a certain wistful pathos in his ring-battered countenance, and went on cherishing his strength with the jealousy of which only Age is capable. Sandel was Youth, and he threw his strength away with the munificent abandon of Youth. To King belonged the ring generalship, the wisdom bred of long, aching fights. He watched with cool eyes and head, moving slowly and waiting for Sandel's froth to foam away. To the majority of the onlookers it seemed as though King was hopelessly outclassed, and they voiced their opinion in offers of three to one on Sandel. But there were wise ones, a few, who knew King of old time, and who covered what they considered easy money. The third round began as usual, one-sided, with Sandel doing all the leading, and delivering all the punishment. A half-minute had passed when Sandel, over-confident, left an opening. King's eyes and right arm flashed in the same instant. It was his first real blow--a hook, with the twisted arch of the arm to make it rigid, and with all the weight of the half-pivoted body behind it. It was like a sleepy-seeming lion suddenly thrusting out a lightning paw. Sandel, caught on the side of the jaw, was felled like a bullock. The audience gasped and murmured awe-stricken applause. The man was not muscle-bound, after all, and he could drive a blow like a trip-hammer. Sandel was shaken. He rolled over and attempted to rise, but the sharp yells from his seconds to take the count restrained him. He knelt on one knee, ready to rise, and waited, while the referee stood over him, counting the seconds loudly in his ear. At the ninth he rose in fighting attitude, and Tom King, facing him, knew regret that the blow had not been an inch nearer the point of the jaw. That would have been a knock-out, and he could have carried the thirty quid home to the missus and the kiddies. The round continued to the end of its three minutes, Sandel for the first time respectful of his opponent and King slow of movement and sleepy-eyed as ever. As the round neared its close, King, warned of the fact by sight of the seconds crouching outside ready for the spring in through the ropes, worked the fight around to his own corner. And when the gong struck, he sat down immediately on the waiting stool, while Sandel had to walk all the way across the diagonal of the square to his own corner. It was a little thing, but it was the sum of little things that counted. Sandel was compelled to walk that many more steps, to give up that much energy, and to lose a part of the precious minute of rest. At the beginning of every round King loafed slowly out from his corner, forcing his opponent to advance the greater distance. The end of every round found the fight manoeuvred by King into his own corner so that he could immediately sit down. Two more rounds went by, in which King was parsimonious of effort and Sandel prodigal. The latter's attempt to force a fast pace made King uncomfortable, for a fair percentage of the multitudinous blows showered upon him went home. Yet King persisted in his dogged slowness, despite the crying of the young hot-heads for him to go in and fight. Again, in the sixth round, Sandel was careless, again Tom King's fearful right flashed out to the jaw, and again Sandel took the nine seconds count. By the seventh round Sandel's pink of condition was gone, and he settled down to what he knew was to be the hardest fight in his experience. Tom King was an old un, but a better old un than he had ever encountered--an old un who never lost his head, who was remarkably able at defence, whose blows had the impact of a knotted club, and who had a knockout in either hand. Nevertheless, Tom King dared not hit often. He never forgot his battered knuckles, and knew that every hit must count if the knuckles were to last out the fight. As he sat in his corner, glancing across at his opponent, the thought came to him that the sum of his wisdom and Sandel's youth would constitute a world's champion heavyweight. But that was the trouble. Sandel would never become a world champion. He lacked the wisdom, and the only way for him to get it was to buy it with Youth; and when wisdom was his, Youth would have been spent in buying it. King took every advantage he knew. He never missed an opportunity to clinch, and in effecting most of the clinches his shoulder drove stiffly into the other's ribs. In the philosophy of the ring a shoulder was as good as a punch so far as damage was concerned, and a great deal better so far as concerned expenditure of effort. Also, in the clinches King rested his weight on his opponent, and was loath to let go. This compelled the interference of the referee, who tore them apart, always assisted by Sandel, who had not yet learned to rest. He could not refrain from using those glorious flying arms and writhing muscles of his, and when the other rushed into a clinch, striking shoulder against ribs, and with head resting under Sandel's left arm, Sandel almost invariably swung his right behind his own back and into the projecting face. It was a clever stroke, much admired by the audience, but it was
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Jack London

John Griffith London was an American novelist, journalist, and social activist. A pioneer in the world of commercial magazine fiction, he was one of the first writers to become a worldwide celebrity and earn a large fortune from writing. more…

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