A Doll's House book cover

A Doll's House Page #14

A Doll's House is a three-act play written by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in the home of the Helmer family in an unspecified Norwegian town or city, circa 1879 and focuses on the awakening of a middle-class wife and mother.


Year:
1879
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Submitted by acronimous on July 24, 2020
Modified on July 13, 2021


								
Mrs. Linde. I will, indeed. But I don't understand all this. Nora. How should you understand it? A wonderful thing is going to happen! Mrs. Linde. A wonderful thing? Nora. Yes, a wonderful thing!--But it is so terrible, Christine; it mustn't happen, not for all the world. Mrs. Linde. I will go at once and see Krogstad. Nora. Don't go to him; he will do you some harm. Mrs. Linde. There was a time when he would gladly do anything for my sake. Nora. He? Mrs. Linde. Where does he live? Nora. How should I know--? Yes (feeling in her pocket), here is his card. But the letter, the letter--! Helmer (calls from his room, knocking at the door). Nora! Nora (cries out anxiously). Oh, what's that? What do you want? Helmer. Don't be so frightened. We are not coming in; you have locked the door. Are you trying on your dress? Nora. Yes, that's it. I look so nice, Torvald. Mrs. Linde (who has read the card). I see he lives at the corner here. Nora. Yes, but it's no use. It is hopeless. The letter is lying there in the box. Mrs. Linde. And your husband keeps the key? Nora. Yes, always. Mrs. Linde. Krogstad must ask for his letter back unread, he must find some pretence-- Nora. But it is just at this time that Torvald generally-- Mrs. Linde. You must delay him. Go in to him in the meantime. I will come back as soon as I can. (She goes out hurriedly through the hall door.) Nora (goes to HELMER'S door, opens it and peeps in). Torvald! Helmer (from the inner room). Well? May I venture at last to come into my own room again? Come along, Rank, now you will see-- (Halting in the doorway.) But what is this? Nora. What is what, dear? Helmer. Rank led me to expect a splendid transformation. Rank (in the doorway). I understood so, but evidently I was mistaken. Nora. Yes, nobody is to have the chance of admiring me in my dress until tomorrow. Helmer. But, my dear Nora, you look so worn out. Have you been practising too much? Nora. No, I have not practised at all. Helmer. But you will need to-- Nora. Yes, indeed I shall, Torvald. But I can't get on a bit without you to help me; I have absolutely forgotten the whole thing. Helmer. Oh, we will soon work it up again. Nora. Yes, help me, Torvald. Promise that you will! I am so nervous about it--all the people--. You must give yourself up to me entirely this evening. Not the tiniest bit of business--you mustn't even take a pen in your hand. Will you promise, Torvald dear? Helmer. I promise. This evening I will be wholly and absolutely at your service, you helpless little mortal. Ah, by the way, first of all I will just--(Goes towards the hall door.) Nora. What are you going to do there? Helmer. Only see if any letters have come. Nora. No, no! don't do that, Torvald! Helmer. Why not? Nora. Torvald, please don't. There is nothing there. Helmer. Well, let me look. (Turns to go to the letter-box. NORA, at the piano, plays the first bars of the Tarantella. HELMER stops in the doorway.) Aha! Nora. I can't dance tomorrow if I don't practise with you. Helmer (going up to her). Are you really so afraid of it, dear? Nora. Yes, so dreadfully afraid of it. Let me practise at once; there is time now, before we go to dinner. Sit down and play for me, Torvald dear; criticise me, and correct me as you play. Helmer. With great pleasure, if you wish me to. (Sits down at the piano.) Nora (takes out of the box a tambourine and a long variegated shawl. She hastily drapes the shawl round her. Then she springs to the front of the stage and calls out). Now play for me! I am going to dance! (HELMER plays and NORA dances. RANK stands by the piano behind HELMER, and looks on.) Helmer (as he plays). Slower, slower! Nora. I can't do it any other way. Helmer. Not so violently, Nora! Nora. This is the way. Helmer (stops playing). No, no--that is not a bit right. Nora (laughing and swinging the tambourine). Didn't I tell you so? Rank. Let me play for her. Helmer (getting up). Yes, do. I can correct her better then. (RANK sits down at the piano and plays. NORA dances more and more wildly. HELMER has taken up a position beside the stove, and during her dance gives her frequent instructions. She does not seem to hear him; her hair comes down and falls over her shoulders; she pays no attention to it, but goes on dancing. Enter Mrs. LINDE.) Mrs. Linde (standing as if spell-bound in the doorway). Oh!-- Nora (as she dances). Such fun, Christine! Helmer. My dear darling Nora, you are dancing as if your life depended on it. Nora. So it does. Helmer. Stop, Rank; this is sheer madness. Stop, I tell you! (RANK stops playing, and NORA suddenly stands still. HELMER goes up to her.) I could never have believed it. You have forgotten everything I taught you. Nora (throwing away the tambourine). There, you see. Helmer. You will want a lot of coaching. Nora. Yes, you see how much I need it. You must coach me up to the last minute. Promise me that, Torvald! Helmer. You can depend on me. Nora. You must not think of anything but me, either today or tomorrow; you mustn't open a single letter--not even open the letter-box-- Helmer. Ah, you are still afraid of that fellow-- Nora. Yes, indeed I am. Helmer. Nora, I can tell from your looks that there is a letter from him lying there. Nora. I don't know; I think there is; but you must not read anything of that kind now. Nothing horrid must come between us until this is all over. Rank (whispers to HELMER). You mustn't contradict her. Helmer (taking her in his arms). The child shall have her way. But tomorrow night, after you have danced-- Nora. Then you will be free. (The MAID appears in the doorway to the right.) Maid. Dinner is served, ma'am. Nora. We will have champagne, Helen. Maid. Very good, ma'am. [Exit. Helmer. Hullo!--are we going to have a banquet? Nora. Yes, a champagne banquet until the small hours. (Calls out.) And a few macaroons, Helen--lots, just for once! Helmer. Come, come, don't be so wild and nervous. Be my own little skylark, as you used. Nora. Yes, dear, I will. But go in now and you too, Doctor Rank. Christine, you must help me to do up my hair. Rank (whispers to HELMER as they go out). I suppose there is nothing--she is not expecting anything? Helmer. Far from it, my dear fellow; it is simply nothing more than this childish nervousness I was telling you of. (They go into the right-hand room.) Nora. Well! Mrs. Linde. Gone out of town. Nora. I could tell from your face. Mrs. Linde. He is coming home tomorrow evening. I wrote a note for him. Nora. You should have let it alone; you must prevent nothing. After all, it is splendid to be waiting for a wonderful thing to happen. Mrs. Linde. What is it that you are waiting for? Nora. Oh, you wouldn't understand. Go in to them, I will come in a moment. (Mrs. LINDE goes into the dining-room. NORA stands still for a little while, as if to compose herself. Then she looks at her watch.) Five o'clock. Seven hours until midnight; and then four-and-twenty hours until the next midnight. Then the Tarantella will be over. Twenty-four and seven? Thirty-one hours to live.
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Henrik Ibsen

Henrik Johan Ibsen was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. more…

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