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"A Desperate Character" is a short story by Ivan Sergeevich Turgenev that explores themes of love, longing, and the complexity of human emotions. The narrative centers around a young woman named Zinaida, who finds herself trapped in a tumultuous relationship with a man entangled in despair and existential angst. The story delves into the inner turmoil of its characters, capturing the essence of unfulfilled desires and the contradictions of the human condition. Turgenev's poignant prose and keen psychological insight invite readers to reflect on the intricacies of love and the depths of desperation.


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Submitted by davidb on January 27, 2025


								
now we are all rejoicing and making merry! ... Uncle! Do you know it's only with beggars, God's people, that one can live in the world ... by God, it is!' I made him no answer ... but at that moment he struck me as such a kind good creature, his face expressed such childlike simple-heartedness.... A light seemed suddenly as it were to dawn upon me, and I felt a pang in my heart.... 'Get into the carriage,' I said to him. He was taken aback.... 'What? Into the carriage?' 'Yes, get in, get in,' I repeated; 'I want to make you a suggestion. Sit down.... Come along with me.' 'Well, as you will.' He sat down. 'Well, and you, my honoured friends, my dear comrades,' he added, addressing the beggars, 'fare-well, till we meet again.' Misha took off his high cap, and bowed low. The beggars all seemed overawed.... I told the coachman to whip up the horses, and the carriage rolled off. The suggestion I wanted to make Misha was this: the idea suddenly occurred to me to take him with me to my home in the country, about five-and-twenty miles from that station, to rescue him, or at least to make an effort to rescue him. 'Listen, Misha,' I said; 'will you come along and live with me? ... You shall have everything provided you; you shall have clothes and linen made you; you shall be properly fitted out, and you shall have money to spend on tobacco, and so on, only on one condition, that you give up drink.... Do you agree?' Misha was positively aghast with delight; he opened his eyes wide, flushed crimson, and suddenly falling on my shoulder, began kissing me, and repeating in a broken voice, 'Uncle ... benefactor ... God reward you.' ... He burst into tears at last, and taking off his cap fell to wiping his eyes, his nose, his lips with it. 'Mind,' I observed; 'remember the condition, not to touch strong drink.' 'Damnation to it!' he cried, with a wave of both arms, and with this impetuous movement, I was more than ever conscious of the strong smell of spirits with which he seemed always saturated.... 'Uncle, if you knew what my life has been.... If it hadn't been for sorrow, a cruel fate.... But now I swear, I swear, I will mend my ways, I will show you.... Uncle, I've never told a lie--you can ask whom you like.... I'm honest, but I'm an unlucky fellow, uncle; I've known no kindness from any one....' Here he broke down finally into sobs. I tried to soothe him, and succeeded so far that when we reached home Misha had long been lost in a heavy sleep, with his head on my knees. VII He was at once assigned a room for himself, and at once, first thing, taken to the bath, which was absolutely essential. All his clothes, and his dagger and cap and torn boots, were carefully put away in a loft; he was dressed in clean linen, slippers, and some clothes of mine, which, as is always the way with poor relations, at once seemed to adapt themselves to his size and figure. When he came to table, washed, clean, and fresh, he seemed so touched and happy, he beamed all over with such joyful gratitude, that I too felt moved and joyful.... His face was completely transformed.... Boys of twelve have faces like that on Easter Sundays, after the communion, when, thickly pomaded, in new jacket and starched collars, they come to exchange Easter greetings with their parents. Misha was continually--with a sort of cautious incredulity--feeling himself and repeating: 'What does it mean? ... Am I in heaven?' The next day he announced that he had not slept all night, he had been in such ecstasy. I had living in my house at that time an old aunt with her niece; both of them were extremely disturbed when they heard of Misha's presence; they could not comprehend how I could have asked him into my house! There were very ugly rumours about him. But in the first place, I knew he was always very courteous with ladies; and, secondly, I counted on his promises of amendment. And, in fact, for the first two days of his stay under my roof Misha not merely justified my expectations but surpassed them, while the ladies of the household were simply enchanted with him. He played piquet with the old lady, helped her to wind her worsted, showed her two new games of patience; for the niece, who had a small voice, he played accompaniments on the piano, and read Russian and French poetry. He told both the ladies lively but discreet anecdotes; in fact, he showed them every attention, so that they repeatedly expressed their surprise to me, and the old lady even observed how unjust people sometimes were.... The things--the things they had said of him ... and he such a quiet fellow, and so polite ... poor Misha! It is true that at table 'poor Misha' licked his lips in a rather peculiar, hurried way, if he simply glanced at the bottle. But I had only to shake my finger at him, and he would turn his eyes upwards, and lay his hand on his heart ... as if to say, I have sworn.... 'I am regenerated now,' he assured me.... 'Well, God grant it be so,' was my thought.... But this regeneration did not last long. The first two days he was very talkative and cheerful. But even on the third day he seemed somehow subdued, though he remained, as before, with the ladies and tried to entertain them. A half mournful, half dreamy expression flitted now and then over his face, and the face itself was paler and looked thinner. 'Are you unwell?' I asked him. 'Yes,' he answered; 'my head aches a little.' On the fourth day he was completely silent; for the most part he sat in a corner, hanging his head disconsolately, and his dejected appearance worked upon the compassionate sympathies of the two ladies, who now, in their turn, tried to amuse him. At table he ate nothing, stared at his plate, and rolled up pellets of bread. On the fifth day the feeling of compassion in the ladies began to be replaced by other emotions--uneasiness and even alarm. Misha was so strange, he held aloof from people, and kept moving along close to the walls, as though trying to steal by unnoticed, and suddenly looking round as though some one had called him. And what had become of his rosy colour? It seemed covered over by a layer of earth. 'Are you still unwell?' I asked him. 'No, I'm all right,' he answered abruptly. 'Are you dull?' 'Why should I be dull?' But he turned away and would not look me in the face. 'Or is it that wretchedness come over you again?' To this he made no reply. So passed another twenty-four hours. Next day my aunt ran into my room in a state of great excitement, declaring that she would leave the house with her niece, if Misha was to remain in it. 'Why so?' 'Why, we are dreadfully scared with him.... He's not a man, he's a wolf,--nothing better than a wolf. He keeps moving and moving about, and doesn't speak--and looks so wild.... He almost gnashes his teeth at me. My Katia, you know, is so nervous.... She was so struck with him the first day.... I'm in terror for her, and indeed for myself too.' ... I didn't know what to say to my aunt. I couldn't, anyway, turn Misha out,
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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