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"A Country Excursion" by Guy de Maupassant is a short story that explores themes of nature, social class, and human relationships. The narrative follows a group of Parisians who take a day trip to the countryside, where they encounter the simplicity and beauty of rural life. As they interact with both the landscape and the local peasants, the story reveals their contrasting perspectives and the complexities of their social dynamics. Maupassant's keen observations and rich descriptions highlight the joys and challenges of escaping urban existence, while also prompting reflection on the disparities between city and country living.


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Submitted by davidb on February 03, 2025


								
Their inability to speak increased their emotion, and they looked about them. At last, however, he made an effort and asked her name. “Henriette,” she said. “Why, my name is Henri,” he replied. The sound of their voices had calmed them, and they looked at the banks. The other boat had passed them and seemed to be waiting for them, and the rower called out: “We will meet you in the wood; we are going as far as Robinson's, because Madame Dufour is thirsty.” Then he bent over his oars again and rowed off so quickly that he was soon out of sight. Meanwhile a continual roar, which they had heard for some time, came nearer, and the river itself seemed to shiver, as if the dull noise were rising from its depths. “What is that noise?” she asked. It was the noise of the weir which cut the river in two at the island, and he was explaining it to her, when, above the noise of the waterfall, they heard the song of a bird, which seemed a long way off. “Listen!” he said; “the nightingales are singing during the day, so the female birds must be sitting.” A nightingale! She had never heard one before, and the idea of listening to one roused visions of poetic tenderness in her heart. A nightingale! That is to say, the invisible witness of her love trysts which Juliet invoked on her balcony; that celestial music which it attuned to human kisses, that eternal inspirer of all those languorous romances which open an ideal sky to all the poor little tender hearts of sensitive girls! She was going to hear a nightingale. “We must not make a noise,” her companion said, “and then we can go into the wood, and sit down close beside it.” The boat seemed to glide. They saw the trees on the island, the banks of which were so low that they could look into the depths of the thickets. They stopped, he made the boat fast, Henriette took hold of Henri's arm, and they went beneath the trees. “Stoop,” he said, so she stooped down, and they went into an inextricable thicket of creepers, leaves and reed grass, which formed an undiscoverable retreat, and which the young man laughingly called “his private room.” Just above their heads, perched in one of the trees which hid them, the bird was still singing. He uttered trills and roulades, and then loud, vibrating notes that filled the air and seemed to lose themselves on the horizon, across the level country, through that burning silence which weighed upon the whole landscape. They did not speak for fear of frightening it away. They were sitting close together, and, slowly, Henri's arm stole round the girl's waist and squeezed it gently. She took that daring hand without any anger, and kept removing it whenever he put it round her; without, however, feeling at all embarrassed by this caress, just as if it had been something quite natural, which she was resisting just as naturally. She was listening to the bird in ecstasy. She felt an infinite longing for happiness, for some sudden demonstration of tenderness, for the revelation of superhuman poetry, and she felt such a softening at her heart, and relaxation of her nerves, that she began to cry, without knowing why. The young man was now straining her close to him, yet she did not remove his arm; she did not think of it. Suddenly the nightingale stopped, and a voice called out in the distance: “Henriette!” “Do not reply,” he said in a low voice; “you will drive the bird away.” But she had no idea of doing so, and they remained in the same position for some time. Madame Dufour had sat down somewhere or other, for from time to time they heard the stout lady break out into little bursts of laughter. The girl was still crying; she was filled with strange sensations. Henri's head was on her shoulder, and suddenly he kissed her on the lips. She was surprised and angry, and, to avoid him, she stood up. They were both very pale when they left their grassy retreat. The blue sky appeared to them clouded and the ardent sun darkened; and they felt the solitude and the silence. They walked rapidly, side by side, without speaking or touching each other, for they seemed to have become irreconcilable enemies, as if disgust and hatred had arisen between them, and from time to time Henriette called out: “Mamma!” By and by they heard a noise behind a bush, and the stout lady appeared, looking rather confused, and her companion's face was wrinkled with smiles which he could not check. Madame Dufour took his arm, and they returned to the boats, and Henri, who was ahead, walked in silence beside the young girl. At last they got back to Bezons. Monsieur Dufour, who was now sober, was waiting for them very impatiently, while the young man with the yellow hair was having a mouthful of something to eat before leaving the inn. The carriage was waiting in the yard, and the grandmother, who had already got in, was very frightened at the thought of being overtaken by night before they reached Paris, as the outskirts were not safe. They all shook bands, and the Dufour family drove off. “Good-by, until we meet again!” the oarsmen cried, and the answer they got was a sigh and a tear. Two months later, as Henri was going along the Rue des Martyrs, he saw Dufour, Ironmonger, over a door, and so he went in, and saw the stout lady sitting at the counter. They recognized each other immediately, and after an interchange of polite greetings, he asked after them all. “And how is Mademoiselle Henriette?” he inquired specially. “Very well, thank you; she is married.” “Ah!” He felt a certain emotion, but said: “Whom did she marry?” “That young man who accompanied us, you know; he has joined us in business.” “I remember him perfectly.” He was going out, feeling very unhappy, though scarcely knowing why, when madame called him back. “And how is your friend?” she asked rather shyly. “He is very well, thank you.” “Please give him our compliments, and beg him to come and call, when he is in the neighborhood.” She then added: “Tell him it will give me great pleasure.” “I will be sure to do so. Adieu!” “Do not say that; come again very soon.” The next year, one very hot Sunday, all the details of that adventure, which Henri had never forgotten, suddenly came back to him so clearly that he returned alone to their room in the wood, and was overwhelmed with astonishment when he went in. She was sitting on the grass, looking very sad, while by her side, still in his shirt sleeves, the young man with the yellow hair was sleeping soundly, like some animal.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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