The Princess Passes

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cosmopolitan apostate on principle, and was about to turn upon his leather-clad form a disapproving gaze, when I dimly realised that it would be a case of the pot calling the kettle black. Instead, I smiled hypocritically as we "took a look" at the car before lending it our lives. "I hope the brute isn't vicious; doesn't blow up or explode, or shed its safety valve, or anything," I remarked with a facetiousness which in the circumstances did me credit. Gotteland answered with the pitying air of the professional for the amateur. "The one thing an automobile can't do, sir, is to blow up." I was glad to hear this, in spite of the strong coffee lately swallowed, but on the other hand there were doubtless a great many other equally disagreeable things which it could do. Of course, if it were satisfied with merely killing me, neatly and thoroughly, I still felt that I should not mind; indeed, would be rather grateful than otherwise. But there were objections, even for a jilted lover, to being smeared along the ground, and picked up, perhaps, without a nose, or the proper complement of legs, or vertebræ. "Anyhow, the beast has a certain meretricious beauty," I admitted. "Those red cushions and all that bright metal work give an effect of luxury." Gotteland revenged his idol with another smile. "Amateurs do notice such things, sir," said he. "Professionals don't care much about the body; it's the motor that interests them." He lifted a sort of lattice which muzzled the dragon's mouth, disclosing some bulbous cylinders and a tangle of pipes and wires. "It's the dernier cri. That engine will work as long as there's a drop of essence in the carburetter, and will carry you at forty miles an hour, without feeling a hill which would set many cars groaning and puffing. It will do the work of twenty horses, and more----" "Yet I shouldn't be really surprised if one horse had to tow it some day," I murmured more to myself than to him, but Molly heard me, through her mushroom. "You'll soon apologise to Mercédès for your doubts of her, for motors are their own missionaries," she said, her eyes laughing through a triangular talc window. "You will have learned to love her before you know what has happened, just as you would the real Mercédès, if you could see her." Curious, I thought, that Molly, knowing my state of mind, should be constantly weaving into our conversation some allusion to the namesake and giver of her car. I had never in my life been less interested in the subject of extraneous girls, and with all Molly's tact, it seemed strange that she should not recognise this. However, she did not appear to expect an answer, and we were soon settled in the car, Molly, as I have said, looking like a graceful fungus growth, Jack and I like haggard goblins. Molly was to drive, and Jack insisted that I should sit in one of the two absurdly comfortable armchair arrangements in front. The chauffeur

A. M. (Alice Muriel) Williamson and C. N. (Charles Norris) Williamson

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