Set Down in Malice: A Book of Reminiscences

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what he said of shorthand, do you? And in The Perfect Wagnerite he has said all that it is necessary for him to say about Wagner. Last of all comes H. G. Wells. Now, I have not the remotest idea what Shaw thinks of Wells in these days, yet I would give a good deal to know. But sixteen years ago the older man had for the younger an almost reverential admiration. At the time of my visit to Shaw one of Wells’ books was appearing serially in, I think, The Fortnightly Review. Wells was busy looking into the future, and the future that he saw seemed, in some respects, so disagreeable yet so likely that Shaw was dismayed at the prospect. “A great man, Wells,” said Shaw; “do you know anything about him?” I told him the little I knew and, as we had finished lunch, I asked Mrs Shaw’s permission to light a cigarette. Almost immediately after, we started on our walk. Never shall I forget that terrible walk. I believed then, as I believe now, that Shaw was deliberately pitting his powers of endurance against my own—the powers of endurance of a middle-aged vegetarian against those of a young meat-eater. He walked with a long, easy stride, swinging his arms, breathing deeply through his wide nostrils. His pace, which never for a moment did he attempt to accommodate to mine, was at least five miles an hour. He forgot, or he did not choose to remember, that I had that morning travelled by the slow midnight train from Manchester, that I had crossed London, that I had reached Guildford by a weary Sunday train from Waterloo, and that I had just eaten an enormous lunch. I panted and struggled half a pace behind him. I became stupendously hot. I made unexpected and unathletic sounds, like a man who is being smothered. Blissfully unconscious of all this was Shaw.... I wonder?... No; blissfully conscious of all this was Shaw. He talked steadily the whole time, but I was suffering from an inhibition of all my mental faculties. Yet, at the back of my mind, I kept saying to myself: “You know, you have not yet told him that he is to share your book with George Moore.” And each time I told myself that, I shuddered somewhat. It was not until we had neared Mr G. F. Watts’ house that Shaw moderated his pace a little. “That,” said he, in a curiously low voice—the kind of voice one uses in churches—“that is where G. F. Watts lives.” And he pointed to some high chimneys that overtopped a belt of trees, and stopped and gazed. But I was in no mood of reverence and, though I have frequently struggled to induce a feeling of rapture when gazing upon the large canvases of Watts, I have never been able to do so. So I pulled out my handkerchief and wiped my perspiring forehead. “Hot?” asked Shaw grimly. “Of course I’m hot. Aren’t you?” “Warm. Just nicely warm.” Presently we came to a tall tower of terra-cotta bricks which, Shaw told me, had been erected by the villagers under the direction and at

Gerald Cumberland

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