Louise Imogen Guiney

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is not the midnight lamp on a folio. He knows; he is baked through; all superfluous effort and energy are over for him. To converse consumedly upon the weather, and compare notes as to ‘whether it is likely to hold up tomorrow,’—this, says Hazlitt, ‘is the end and privilege of a life of study.’” Mark you how humbly she proceeds, this multi-millionaire of the mind. Her intellectual barns are bursting with fatness, her cattle are on a thousand hills; yet she spares you not only the inventory of her acquisitions but any hint of her respect for them. One is smilingly glad to note that sometimes the challenge of the world’s intellectual penury is really too much for her, and she cannot help rushing to the rescue with armies of notable names and historic data. Still she did converse consumedly upon the weather also, and it is one of the happy incredibilities of her delightful disposition that she never repudiated the intercourse of honest minds, even if they were dull. She adroitly refrained from tossing them the ball she knew they could never return, though with a curve imperfectly transcribed. She talked with them about dogs and mushrooms—for there also she was sapient in a lore that could be worn lightly and the more easily concealed—and the merciful recipe for killing a lobster painlessly before you plunge him in the ensanguining pot, of kittens and young furry donkeys and the universal boon of weather. And she had a store of absurdities, never anecdotes in the dire sense of cut-and-dried obstructors of the traffic between mortal minds, but odd quips and spontaneous incongruities she was ready to shower you withal. No less pretentious scholar ever walked a world more suavely aware of her gracious charm, more happily oblivious of the breaches she could make in worn conventions if she brought up her artillery. The personal revelations in Patrins are unmistakable to those who knew her. She writes On the Delights of an Incognito. Who can fail to see L. I. G. herself in the person of the hypothetical R., walking home after “the day at a library desk” where he “had grown hazy with no food and much reading?” And passing the house where he was always delightedly welcome and where he loved to be, he looked in at the shining dinner table where sat the family, unconscious of him and yet—he knew it—only to be the merrier if he dropped in, and “hurried on, never quite so paradoxically happy in his life as when he quitted that familiar pane without rapping, and went back to the dark and the frost, unapprehended, impersonal, aberrant, a spirit among men.” For Louise Guiney, prettily as she conformed herself to accepted rules, was by nature a vagrom under conventional roofs, a wandering breeze, an addict of fern seed, a cloud, a rainbow fancy, whatever could make itself, as speedily as might be, impalpable to the eye and only a memory to the

Alice Brown

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